To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mistika VR stabilizes 360° footage in just one si

January 16, 2018, 10:24 AM

https://www.sgo.es/mistika-vr-stabilizes-360-foota...

SGO has released a new version of Mistika VR, the fastest stitching software on the market, which brings a one-click

16th Annual VES Awards: The Nominations

January 16, 2018, 10:23 AM

http://www.artofvfx.com/16th-annual-ves-awards-the...

The nominations for the 16th Annual VES Awards have just been announced!

Interview Tomasz Wyszolmirski - Dabarti Studio Dir

January 16, 2018, 05:35 AM

http://www.allanmckay.com/123a/

Tomasz came from Evermotion. Dabarti does a similar thing but more on a micro level and custom animation. It was really cool to talk to Tomasz about his background and about building his business. When you speak to owners of studios, it’s interesting to hear about the evolution of recognizing business needs.

How to get your first CG job

January 16, 2018, 05:35 AM

http://www.creativebloq.com/advice/how-to-get-your...

When applying for a job, people often say it’s not what you know, it’s who you know. Well, we call BS on that.

Woh, a VFX event on Last Jedi, Apes, Blade Runner,

January 15, 2018, 06:21 PM

https://vfxblog.com/2018/01/15/vfx-event-last-jedi...

Check out that list again in the heading – those are some of the biggest visual effects projects around, and they’re all going to be discussed by the studios behind the work at the upcoming SPARK FX 2018 in Vancouver.

Bringing Creatures to Life in ‘Jumanji: Welcome

January 15, 2018, 06:20 PM

https://www.awn.com/news/rodeo-fx-brings-creatures...

The sequel to the 1995 family classic takes the story of a board game that’s come to life and brings it to the digital age by transforming a group of teens into avatars and trapping them inside a video game jungle, where the only way out is to beat the game. To help create an alternate game world, Rodeo FX’s creature expertise was brought in.

Monky VFX Breakdown

January 11, 2018, 06:12 AM

http://www.cgmeetup.net/home/monky-vfx-breakdown/

Haymaker – This is a Visual Effects Breakdown of a few of the shots we created for Monky (2017) directed by Maria Blom.

Miller Displays Latest Fluid Head at CABSAT 2018

January 9, 2018, 02:36 PM

https://www.aotg.com/miller-displays-latest-fluid-head-at-cabsat-2018/

Miller Tripods, a leader in the production of innovating camera support solutions, will display its new CompassX series (CX) at the Future Art Broadcast Trading L.T.D. stand (ZB5-B40) at CABSAT 2018.

#miller#miller camera support#cabsat
Designing the Retro-Tech Look of the Future in Bla

January 8, 2018, 06:00 PM

http://www.studiodaily.com/2018/01/designing-retro...

Since its inception in 2010, Los Angeles design and creative visual effects studio Cantina Creative has earned an enviable list of credits that includes blockbusters such as Spider-Man Homecoming, Fate of the Furious, Avengers: Age of Ultron, Captain America: Civil War, The Hunger Games, Guardians of the Galaxy, Iron Man 3 and many more. Recently, Cantina […] The post Designing the Retro-Tech Look of the Future in Blade Runner 2049 appeared first on Studio Daily.

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