To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Preditor: Being a one-stop shop editor

July 16, 2010, 04:20 PM

http://www.joyoffilmediting.com/?p=2901

After a over a decade of working for Disney in various capacities (actor, editor, and producer), Les Perkins went solo, creating an editing suite in a set-off part of his home in Glendale, CA. His advice on setting up a system, "Make sure it’s comfortable and ergonomically sound – your butt’s going to spend long hours in that seat."

C.C.E. Pub Night

July 15, 2010, 03:54 PM

http://www.tejbabra.com/index.php/films/c-c-e-pub-...

A few weeks ago the Canadian Cinema Editors (C.C.E.) held another one of their film screenings. The film screened was District 9, followed by a question and answer period with Oscar Nominated Editor Julian Clarke C.C.E.

The Editor’s Guild Pt. 1 – Getting In...

July 14, 2010, 10:10 AM

http://robgwilson.com/2010/07/13/the-editors-guild...

An important question I often get is "how do I join the union?" This question comes from many people I meet, from established editors to the young people just starting out in the Hollywood. The catch is that the answer isn’t at all that simple. The question should be: "should I join the union?" Putting it simply, if you’re asking that question, the answer is not quite yet. But that’s just the beginning of the story.

The Look of Michael Clayton

July 12, 2010, 04:56 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Michael Clayton has been described as a thriller, but it’s more about "soul sickness," according to writer-director Tony Gilroy, about people who find themselves in exile facing moral dilemmas. As a result, his brother, editor John Gilroy, A.C.E., had to make sure the audience stayed inside the characters, while creating a subtle build-up of tension throughout. The filmmakers also created a specific look, which paid homage to movies from the 1970s, in which composition within a widescreen...

Editor Leaves His Mark on Michael Clayton

July 12, 2010, 04:55 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

So what advice would you expect from a Pulitzer Prize-winning playwright father to his younger son, who will be editing the first feature film of his eldest son? "Just cover his ass," John Gilroy, A.C.E., laughs.

Conrad Buff: The Editor as Manipulator

July 12, 2010, 04:53 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Known for having cut some of cinema’s most iconic actions sequences, largely in effects-heavy films, Oscar-winning editor Conrad Buff, A.C.E., is poised to add another CGI-laden title to his impressive list of credits when Paramount Pictures releases M. Night Shyamalan’s The Last Airbender July 2. A 3-D live-action film based on Nickelodeon’s animated television series Avatar: The Last Airbender, this is the editor’s second film in collaboration with Shyamalan.

An Editing Dynasty

July 12, 2010, 04:52 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Gathered together in the same cutting room on the 20th Century Fox lot, Don Zimmerman, A.C.E., and his three sons––Danny, Dean and David––have the peculiar ability to meander in and out of one another’s thoughts when they speak. Their memories are collective, multi-faceted, complementary. The effect, made more acute by the fact that Danny and Dean are astonishingly identical twins, is rather like a single, hydra-headed Zimmerman. As they fall into what must be a familiar dialogue, one....

All in the Family

July 12, 2010, 04:51 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

With the sad passing of legendary editor and former Editors Guild Vice President Dede Allen, A.C.E., in mid-April, and the subsequent simultaneous memorial tributes to her in New York and Los Angeles held a month later (see Page 12), my thoughts turn to family. Especially after reading the comments of her son, award-winning re-recording mixer Tom Fleischman, MPSE, CAS, addressing the attendees at the East Coast memorial: "As I look at you, I see my family, extended family, dear friends and...

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