Interview with Ken Swallows

December 28, 2009, 06:04 AM

http://archive.sensesofcinema.com/contents/01/14/s...

Ken Sallows is one of Australia's most noted editors. His career started in the 1970s working at Crawford Productions on legendary TV shows like Homicide, Bluey, and The Sullivans. He moved into the film world as an assistant editor on Fred Schepsi's The Chant of Jimmy Blacksmith (1978). His break as a feature editor came with Malcolm (Nadia Tass, 1986). Since then he has worked on some of Australia's most critically acclaimed films including Celia (Ann Turner, 1989), Proof (Jocelyn Moorhouse...

Interview with Skip Spiro

December 27, 2009, 06:02 AM

https://www.editorsguild.com/skipspiro.cfm?

The Editors Guild interview with Skip Spiro is available. His work includes Notes From the New World, Brothers in Blood and Go For Broke.

Interview with Mick Audsley Pt. 2

December 25, 2009, 05:57 AM

https://www.editorsguild.com/FromTheGuild.cfm?From...

In part one of Garrett Gilchrist’s interview, veteran British film editor Mick Audsley talked about his work on Terry Gilliam’s upcoming The Imaginarium of Dr. Parnassus. His second collaboration with Gilliam will always be remembered as Heath Ledger’s last film but, according to Aubrey, salvaging both Ledger’s performance and, in the process, the film itself, will serve as a lasting memorial to the actor, who died during production at the age of 28.

Interview with Matt Chesse

December 23, 2009, 05:51 AM

http://www.dvdtown.com/news/interviewwithfilmedito...

Commentators on the Language of Film Editing

December 23, 2009, 05:51 AM

http://www.joyoffilmediting.com/?p=2209

Some filmmakers simply tell a tale and use editing, camera and sound to portray it as artfully as possible. The editing remains mostly invisible in their hands as we become absorbed in story, place and characters. Directors Steven Spielberg, Ang Lee, and James Cameron fit this description. Other directors - Quentin Tarantino, Jean Luc Godard (and others in the 1950s French New Wave) Martin Scorsese, Francis Ford Coppola, Mel Brooks...

Sam Pollard Web Interview

December 22, 2009, 05:46 AM

https://www.aotg.com/sam-pollard-web-interview/

Here's a short interview with Sam Pollard, Spike Lee's Editor.

Sam Pollard on Editing Mo 'Better Blues

December 19, 2009, 05:42 AM

http://www.wideanglecloseup.com/pollard.html

Sam Pollard's background was primarily in documentaries, serving as a director and producer of PBS' EYES ON THE PRIZE, as well as the specials PAVAROTTI IN CHINA and episodes of NOVA, when he was enlisted for Spike Lee's music drama MO' BETTER BLUES.

Interview with Editor Howard Smith

December 19, 2009, 05:41 AM

http://www.wideanglecloseup.com/smith.html

Equally comfortable with glossy thrillers and contemplative mood pieces, Howard Smith brings his insightfulness about the aesthetics of editing to this December 1990 interview, conducted during the editing stages of the Kathryn Bigelow film POINT BREAK.

Mick Audsley Part 1, Imaginarium

December 17, 2009, 05:39 AM

https://www.editorsguild.com/FromTheGuild.cfm?From...

From his long history with Stephen Frears to his work with directors like Mike Newell, Neil Jordan and John Madden, Mick Audsley has, over 30 years, proven himself to be one of the finest editors in Britain. The Imaginarium of Dr. Parnassus, due for release December 25, is his second collaboration with director Terry Gilliam.

Mick Audsley on Cutting 12 Monkeys

December 17, 2009, 05:39 AM

http://www.wideanglecloseup.com/monkeys_audsley.ht...

Mick Audsley has worked extensively with Stephen Frears (including MY BEAUTIFUL LAUNDRETTE, PRICK UP YOUR EARS, SAMMY AND ROSIE GET LAID and THE GRIFTERS), and also edited Neil Jordan's INTERVIEW WITH THE VAMPIRE. His earlier projects include working on sound for Peter Greenaway's gargantuan mock-documentary THE FALLS. Audsley's friend, editor Lesley Walker (who worked on FISHER KING), suggested him to Gilliam for TWELVE MONKEYS when she was unavailable — coincidentally, cutting a Stephen...