To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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Nuke 131 Overview
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Nathalie Girard, former senior lead compositor and comp supervisor at Industrial Light & Magic, is joining Canadian studio Rodeo FX, returning to Canada after more than a decade in the US. In her new role as senior head of 2D, she will be developing new cutting-edge workflows and technologies.
Just Beyond Which Witch VFX Breakdown
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How to completely break the rules with colour
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RedShark Replay: Understand the basics, know how to calibrate and set white balance - and then you can break all the rules if you want to!
Machine names Louise Baker head of production
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LONDON — Sound design and music company Machine (www.machinesound.co) has appointed Louise Baker head of production. She brings 10 years of professional experience in the post production field, having began her career at voiceover company Baker. She then spent two years at Hogarth in audio versioning before making the move to VFX at The Mill. Baker later went on to specialize in color grading at Cheat, where she served as head of production.
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