It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 8, 2009, 12:39 PM
https://www.aotg.com/cutting-room-eps-016-tom-haneke-pt-2/
This week Gordon continues his interview with Tom Haneke editor of such films as From Mao to Mozart, American Dream and American Teen. The focus of this weeks discussion is his work on the film American Teen.
September 6, 2009, 06:25 PM
http://www.philiphodgetts.com/2009/09/05/why-might...
My friend James Gardiner wrote an interesting post "Are large Post Houses a sunset industry?" and it set me thinking. Now James is writing from an Australian perspective and "large post house" and "boutique" post house have quite different expectations of size than the Australian context. (For example, Alpha Dogs in Burbank bill themselves as a "boutique" post house but in Sydney or Melbourne they’d be one of the larger post houses.)
September 5, 2009, 06:22 PM
http://splicehere.wordpress.com/2009/09/04/assista...
The more we move away from tape as a way to get in and out of an Avid — and the more we move to HD — the more people start to wonder what the assistant’s role is. Assistants used to have primary responsibility for input and output. Of course, that’s just one part of the job, but it’s a key part.
September 4, 2009, 06:21 PM
https://www.aotg.com/artist-in-residence-carol-littleton/
Manhattan Edit Workshop artist in residence Carol Littleton giving a lecture.
September 3, 2009, 06:19 PM
https://www.aotg.com/rosenblum-talks-about-editing-3d/
We stumbled upon this video earlier today in which Steven Rosenblum talks about cutting 3D. It's short but Sweet.
September 2, 2009, 06:18 PM
http://www.studiodaily.com/main/technique/casestud...
Tim Squyres has edited all but one of Ang Lee’s films, only missing out on Brokeback Mountain due to a scheduling conflict while editing Stephen Gaghan’s Syriana. Nominated for an Oscar for Crouching Tiger, Hidden Dragon, Squyres has also worked with Robert Altman (Gosford Park) and Jonathan Demme (Rachel Getting Married). The latest Lee film, Taking Woodstock, was shot on film but telecined to HDCAM, giving Squyres and assistant editor Mike Fay more flexibility—and fidelity—throughout t...
September 1, 2009, 06:16 PM
https://www.aotg.com/artist-in-residence-thomas-haneke/
As we mentioned in our podcast with our interview with Tom Haneke. Here's the video of Tom lecturing at MEW.
September 1, 2009, 12:38 PM
https://www.aotg.com/cutting-room-eps-015-tom-haneke-pt-1/
This week Gordon interviews Tom Haneke editor of such films as From Mao to Mozart, American Dream and American Teen. Many of his works have gone on to win awards ranging from Emmy's to Oscars to Eddies. This interview is broken into 3 parts. Enjoy Part One where Tom talks about his start and working with pacing.
August 30, 2009, 06:13 PM
http://www.shatterhand007.com/PeterHuntArticle/Pet...
Alfred Hitchcock once said that drama is life with all the boring parts cut out, and it's the film editor who is responsible for cutting out the boring parts. Before he directed the masterpiece Citizen Kane, Orson Welles watched John Ford's 1939 classic Stagecoach forty times in one week. He came away saying if you really want to know everything about filmmaking, watch Stagecoach. Well, the same is true for the first five James Bond films. If you really want to learn about film editing watch...
August 29, 2009, 06:12 PM
http://www.postmagazine.com/ME2/dirmod.asp?sid=639...
Graduating from college always comes with a range of emotions — the two biggies are excitement and fear. And, sadly, these days with the economy being the way it is and the job market so tight, the latter might be a bit more ubiquitous.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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