To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Company 3 Adds Gareth Spensley as Senior Colorist

November 26, 2020, 01:40 PM

https://postperspective.com/company-3-adds-gareth-...

Company 3 in London has hired Gareth Spensley as senior colorist. He joins from Molinare where he worked on episodic television and feature film projects. Spensley has colored many UK episodic dramas, including Doctor Who, The Durrells, Killing Eve and Bodyguard. His feature work includes Florian Zeller’s The Father and Wes Anderson’s eagerly anticipated The French Dispatch. Continue reading → November 25, 2020 The post Company 3 Adds Gareth Spensley as Senior Colorist appeared firs...

Meditations on Monochrome

November 25, 2020, 01:28 PM

https://cuttingroomtales.wordpress.com/2020/11/24/...

Should we be defaulting to colour? ☛ During the first film on which I worked, I got chatting to an old-timer in the camera department who bemoaned the lack of black-and-white films being shot. “You’ve got to have a reason to shoot in colour,” he argued. I should add that this was in the ’90s […]

Are LUTs packs worthwhile?

November 23, 2020, 02:10 PM

https://www.provideocoalition.com/are-lut-packs-wo...

You always know a colourist is paying attention when a LUT is named “Fuji Superior 200” (sic).

Join SGO at Colorist Mixer 2020 and a chance to wi

November 21, 2020, 05:33 PM

https://www.sgo.es/colorist-mixer-2020/

SGO is delighted to support the ICA & CSI 24-hour Colorist Mixer event, starting on 12 December 2020 at 9 PM CET.  Due to the global pandemic, the 20th Edition of the Colorist Mixer will go ahead but with a twist – held online and for lasting 24 hours. That means the event will ...

Mistika 10 gets another boost with BRAW support an

November 18, 2020, 01:36 PM

https://www.sgo.es/mistika-10-1/

A new upgrade of Mistika 10 is now available for Mistika Boutique and Ultima, providing Blackmagic RAW support, brand new color tools and other improvements that greatly enhance the creative process and improve color workflow productivity. “SGO’s commitment to the color community can be clearly seen with these very latest ...

SGO ANNOUNCES MISTIKA 10 UPGRADES

November 18, 2020, 01:33 PM

https://lappg.com/sgo-announces-mistika-10-upgrade...

Mistika 10 gets another boost with BRAW support and inspirational new color tools for even greater control and increased productivity A new upgrade of Mistika 10 is now available for Mistika Boutique and Ultima, providing Blackmagic RAW support, brand new color tools and other improvements that greatly enhance the creative process and improve color workflow […]

Exploring Colour Quality Systems in Production: La

November 17, 2020, 02:12 PM

https://www.provideocoalition.com/exploring-colour...

If we didn’t care about efficiency, tungsten lighting is the best technology ever developed. It has near perfect colour rendering, it’s lightweight, inexpensive and dimmable. It’s great. Sadly, we do have to care about efficiency, although instead of efficiency we should really talk about luminous efficacy, since the term takes account of the way the [...]Read More...

5 Easy FCPX Color Tricks

November 15, 2020, 06:17 PM

https://digitalfilms.wordpress.com/2020/11/14/5-ea...

Color correction plug-ins are certainly fun to use, but Final Cut Pro X has plenty of horsepower on its own. There are also a number of features and techniques that often get overlooked. Here are five simple tricks you can use to enhance the look of your videos. (Click any image to see an enlarged […]

Color Grading Netflix’s Anthology Series Social

November 14, 2020, 02:26 PM

https://postperspective.com/color-grading-netflixs...

Light Iron and the series’ post producer on shooting this series to make it look like a Zoom project. By Daniel Restuccio Netflix’s Social Distance is a new COVID-themed series brought to you by creator and executive producer Hilary Weisman Graham (Orange Is the New Black). Continue reading → November 12, 2020 The post Color Grading Netflix’s Anthology Series Social Distance appeared first on postPerspective.

Colorist Chat: Kevin Shaw on Grading, Instructing,

November 10, 2020, 02:24 PM

https://postperspective.com/colorist-chat-kevin-sh...

Veteran colorist Kevin Shaw, who spends a lot of his time consulting and teaching through the International Colorist Academy, works on projects through his company Final Color, which provides color grading and restoration services. The very busy Shaw is also founder and president of the five-year-old Colorist Society International, Continue reading → November 9, 2020 The post Colorist Chat: Kevin Shaw on Grading, Instructing, CSI appeared first on postPerspective.

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