It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 12, 2021, 08:51 AM
https://www.provideocoalition.com/exploring-the-to...
It’s always fun to talk about how new tools and innovations can create efficiencies, but many sound and picture editors don’t take advantage of the capabilities that are literally built into the solutions they use on a daily basis. A prime example of this is the audio capabilities that are built into Premiere Pro that [...]Read More...
August 10, 2021, 09:12 AM
https://www.pro-tools-expert.com/home-page/the-io-...
With the introduction of Dolby Atmos into Pro Tools, Avid developed various features, which extends the fold-down option for going down from 7.1 to 5.1 to stereo and takes it one stage further for Dolby Atmos, handling objects, so that you can continue to work on Atmos Sessions in Pro Tools without needing a Dolby Atmos Renderer.
August 10, 2021, 09:12 AM
https://www.pro-tools-expert.com/home-page/the-pro...
We have had a number of queries about the inner working of the Session I/O Setup window, as it's a part of Pro Tools so few of us ever visit, when we do, it can be confusing because Avid has made improvements since we last used it. To help reduce the fear of the I/O Setup window, Pro Tools guru Mike Thornton explains everything you need to know about the Pro Tools I/O Setup window.
August 10, 2021, 09:11 AM
http://www.lightingandsoundamerica.com/news/story....
The AES Audio Product Education Institute (APEI), created to promote methodologies, practices, and technologies involved in developing and bringing audio products to market, will promote a new free webinar on its Modeling and Measurement education pillar, this time addressing "Speakers and Microphones: Simulation and Testing," on Wednesday, August 11 (12:00pm EDT).
August 6, 2021, 09:02 AM
https://nofilmschool.com/Mixing-Audio-Loudness-Rad...
If there’s one area that film and video professionals absolutely should ignore, it’s audio. I mean, who cares, right? We’re gonna blow you away with beautiful visuals and cinematography. Why even bother with sound design and audio mixing, right?
August 3, 2021, 08:53 AM
https://www.avnetwork.com/news/an-a-t-classic-insp...
Audio-Technica is unveiling its new AT2040 hypercardioid dynamic podcast microphone. Inspired by the performance of the company's acclaimed BP40 large-diaphragm dynamic broadcast microphone and featuring a stylish yet rugged all-metal construction, the AT2040 excels at isolated/up-close vocal reproduction and rejection of unwanted room noise due to its tight hypercardioid polar pattern, ensuring professional-quality podcasts.
July 28, 2021, 09:12 AM
https://www.pro-tools-expert.com/home-page/5-free-...
With the introduction of Audio to MIDI in Pro Tools the divide between MIDI and audio isn’t as sharp as it once was and Pro Tools users who had previously spent their time mostly, or even exclusively, dealing with audio only projects are finding MIDI and software synthesizers more and more useful.
July 27, 2021, 08:43 AM
https://www.provideocoalition.com/loupedeck-live-a...
I’ve made no secret that I am a huge fan of the Loupedeck CT. So much so it took three reviews to really do it justice. I was less a fan of the Loupedeck + until overlays were created to make it easy to use. A more recent product in the Loupedeck product line is [...]Read More...
July 27, 2021, 08:42 AM
https://www.4rfv.co.uk/industrynews/276511/sound_d...
Launched alongside a companion app, A20-Remote, the transmitter incorporates state-of-the-art features such as full remote control via the app, GainForward Architecture, internal 32-bit float recording, a worldwide tuning range of 470 MHz – 694 MHz, and more.
July 27, 2021, 08:40 AM
https://www.pro-tools-expert.com/home-page/run-pro...
In this article, community member Christopher Testa shares his recent transition from Pro Tools Atmos running on an HD Native card using the Dolby Audio Bridge, to a Dolby Atmos HDX Hybrid Engine system, in which he uses Dante instead of the Dolby Audio Bridge so that he can continue to use HDX and DSP plugins to mix whilst also running Dolby Atmos Production Suite on the same computer as Pro Tools Ultimate. Over to you Chris…
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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