To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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Adrien Lambert shows how he made a procedural neoGothic architecture generator in Houdini. This new tutorial from ILM Lead Generalist Adrien Lambert breaks down an older project he made nearly a year ago: Building the Hungarian Parliament.
OWC Announces Accelsior 8M2 World’s Fastest and Highest Capacity PCIe SSD
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Revolutionary PCIe SSD solution designed for exceptional reliability and mind-blowing real-world speeds up to 26,000MB/s and massive 64TB storage capacity OWC®, the premier zero-emissions Mac and PC technology company, and a respected provider of Memory, External Drives, SSDs, Mac & PC Docking Solutions, Network Attached Storage, and Performance Upgrade Kits, today announces the all-new OWC … OWC Announces Accelsior 8M2 World’s Fastest and Highest Capacity PCIe SSD Read More »
Frame.io Camera to Cloud Supports Aaton CantarX3, New Apps
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Frame.io has released a major update to its Camera to Cloud (C2C) that includes hardware support for the latest Aaton CantarX3 sound recorders and new methods to authenticate C2C connections from any web-connected device, including Android phones. Frame.io has also enabled filmmaking applications — such as Pomfort Livegrade with ShotHub, Continue reading → November 16, 2021 The post Frame.io Camera to Cloud Supports Aaton CantarX3, New Apps appeared first on postPerspective.
Mark Todd Osborne Added to Colorist Society Board
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The Colorist Society (CSI) has named veteran colorist Mark Todd Osborne to its board of directors. Osborne is a Los Angeles-based senior colorist with more than 200 film and television credits. As a board member, he will be involved governing, managing and planning for the organization. He will also act as an ambassador for CSI to other industry organizations and the wider pro community. Continue reading → November 16, 2021 The post Mark Todd Osborne Added to Colorist Society Board appeared fi...
Virtual Post Opens in Brighton Targeting On-Prem and Remote
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Networking for Post: Beyond 10GigE
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By Mike McCarthy This article wraps up a series of articles that explores different networking options for exceeding the bandwidth limitations of Gigabit Ethernet. 10GbE has come down in price and has become more common for post work over the last few years, but it’s not quite fast enough for uncompressed 4K at higher framerates, Continue reading → November 16, 2021 The post Networking for Post: Beyond 10GigE appeared first on postPerspective.
The truth about colour. This is stuff every film-maker should know about.
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Replay: Guest author John Clark of Berlin Picture Company explores why there's so little consistency of colour across broadcast platforms and what the industry may need to remedy the problem.
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Reviews are subjective, but they can also stir quite emotional debate, as well as cynicism. However, they are still important.
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