To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the Title: ArsenalFX Color’s Rory Gordon

September 20, 2017, 05:19 PM

http://postperspective.com/behind-title-arsenalfx-...

NAME: Rory Gordon. Legally, it’s Aurora Gordon, but everybody calls me Rory. My business cards say Aurora though. How could I be a colorist named Aurora and not take advantage of that name? COMPANY: Santa Monica’s ArsenalFX Color CAN YOU DESCRIBE YOUR COMPANY? Continue reading → September 20, 2017 The post Behind the Title: ArsenalFX Color’s Rory Gordon appeared first on Randi Altman's postPerspective.

VFX Podcast - IT

September 20, 2017, 05:17 PM

https://www.fxguide.com/thevfxshow/vfxshow-222-it/

In this episode, Matt Wallin, Matt Leonard and Jason Diamond discuss the new film IT.

VFX studio 'Kevin' launches in Venice

September 19, 2017, 01:01 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — VFX supervisor Tim Davies, senior executive producer Sue Troyan and owner/partner Darcy Parsons have joined forces to launch ‘Kevin,’ a new VFX studio. Kevin (yourstrulykevin.com) is currently located on Abbot Kinney in Venice, though construction is underway on a new purpose-built facility in Culver City, which is scheduled to open early next year. 

Minnesota Vikings Launch App Using dotstudioPRO

September 19, 2017, 11:55 AM

https://www.aotg.com/minnesota-vikings-launch-app-using-dotstudiopro/

dotstudioPRO, a leading online video platform that directly delivers streaming video to OTT, announces that the Vikings Now apps launched on the dotstudioPRO platform for streaming to connected devices.

#dotstudiopro
BLACK SAILS - Season 4: VFX Breakdown by Rodeo FX

September 19, 2017, 07:48 AM

http://www.artofvfx.com/black-sails-season-4-vfx-b...

Check out the work of Rodeo FX in the Season 4 of BLACK SAILS in this VFX Breakdown...

VFX Basics with Vegas Pro by Bobby Grubic

September 15, 2017, 01:35 PM

https://www.provideocoalition.com/vfx-basics-with-...

In our third look at MAGIX Vegas Pro we’re looking at a bit more depth when it comes to effects and adding some pizazz to your video. Like many other NLEs, Vegas Pro has a palette full of video effects (more can be added via the Vegas plug-ins) that can be applied using a clip by clip method. You can also apply effects to an entire track without using the adjustment layer way of working that some other NLEs use. But the design of Vegas takes effects one step further and lets you apply effects ...

Why Toronto Has Become Hollywood's Go-To Source fo

September 15, 2017, 04:06 AM

http://www.hollywoodreporter.com/news/why-toronto-...

When audiences inevitably marvel at the computer-generated worlds in Guillermo del Toro's The Shape of Water and the Angelina Jolie-produced animated drama The Breadwinner, both screening at this year's Toronto Film Festival, it will be thanks in large part to Ontario's thriving visual effects community.

Westworld Breakdown

September 14, 2017, 06:39 AM

https://vimeo.com/232664157

ILP WESTWORLD BREAKDOWN 2017

Sony Imageworks’ VFX work on Spider-Man: Homecom

September 13, 2017, 11:40 AM

http://postperspective.com/sony-imageworks-vfx-wor...

By Daniel Restuccio With Sony’s Spider-Man: Homecoming getting ready to release digitally on September 26 and on 4K Ultra HD/Blu-ray, Blu-ray 3D, Blu-ray and DVD on October 17, we thought this was a great opportunity to talk about some of the film’s VFX. Sony Imageworks has worked on every single Spider-Man movie in some capacity since the 2002 Sam Raimi version. Continue reading → September 13, 2017 The post Sony Imageworks’ VFX work on Spider-Man: Homecoming appeared first on R...

View Conference 2017: The program is out with more

September 13, 2017, 06:45 AM

http://www.artofvfx.com/view-conference-2017-the-p...

The next edition of View Conference is coming really soon!

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