To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Bluefish444 Add IP Capture to 4K HDR Adobe Video T

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http://www.broadcastbeat.com/bluefish444-add-ip-ca...

Capture from new IP video transports, and GPU accelerated 4K HDR SDI support for Bluefish444 Epoch and KRONOS products with Adobe Creative Cloud video tools North Melbourne, Australia, September 11, 2017 – Bluefish444, manufacturer of the industry’s highest-quality uncompressed 4K SDI, ASI, Video Over IP & HDMI I/O cards, and mini converters, for the professional ...

Garage Podcast | Fabio Palvelli & Jason Bergeron

September 11, 2017, 04:46 AM

https://labs.chaosgroup.com/index.php/cg-garage-po...

The d2 Conference has grown from a humble meeting of 85 people to an indispensable event for arch viz studios and artists around the world. This year’s event was of particular significance; the industry’s leading lights celebrated Chaos Group’s acquisition of Render Legion and Corona Renderer.

animago AWARD 2017: the winners

September 11, 2017, 04:45 AM

http://www.artofvfx.com/animago-award-2017-the-win...

Congratulations to all the winners of animago AWARD 2017...

The Third Floor: previs/postvis for Wonder Woman

September 9, 2017, 06:47 AM

http://postperspective.com/third-floor-previspostv...

To help realize the cinematic world of Warner Bros.’s Wonder Woman, artists at The Third Floor London, led by Vincent Aupetit, visualized key scenes using previs and postvis. Work spanned nearly two years, as the team collaborated with director Patty Jenkins and visual effects supervisor Bill Westenhofer to map out key action and visual effects scenes. Continue reading → September 8, 2017 The post The Third Floor: previs/postvis for Wonder Woman appeared first on Randi Altman's postPe...

ALIEN - COVENANT: VFX Breakdown

September 8, 2017, 12:46 PM

http://www.artofvfx.com/alien-covenant-vfx-breakdo...

MPC have just released this really cool VFX Breakdown about their work on ALIEN: COVENANT...

Virtual Reality: New Medium, New Rules

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https://www.raindance.org/virtual-reality-new-medi...

In 1987, the American philosophy writer, computer scientist, visual artist, and composer of classical music Jaron Lanier created the term ‘virtual reality’. In fact, visual simulators have been in existence for over seventy years.

The Quest To Make A Convincing CG Human

September 6, 2017, 03:58 AM

http://www.cartoonbrew.com/vfx/secret-history-disn...

Director Ang Lee’s Gemini Man, in which actor Will Smith will star as a retiring NSA agent facing off against a younger clone of himself, is set for an October 2019 release date from Paramount. It’s likely to be made possible with advancements in de-aging visual effects techniques, the kind seen in films such as The Curious Case of Benjamin Button, Captain America: The First Avenger, and other recent Marvel releases.

London-based VFX house Lexhag Creates Title Sequen

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https://www.productionhub.com/blog/post/london-bas...

In our exclusive Q&A with Visual Effects Director Alexis Haggar, of London-based VFX house Lexhag, he talks about his work regarding the main title sequence for “Riviera,” Sky Atlantic’s new 10 part drama series starring Julia Stiles as the wife of a billionaire who uncovers the dark truth behind her opulent lifestyle.

Concept Artist Nathan Fowkes Interview

September 5, 2017, 04:39 AM

http://www.allanmckay.com/95/

This is Allan McKay. Welcome to Episode 95! I’m really excited to be introducing Nathan Fowkes who has worked for Paramount Pictures, Walt Disney, Digital Domain, Blizzard, Blue Sky, DreamWorks, you name it! He comes from a more traditional background [and has] worked on projects like Prince of Egypt, How to Train Your Dragon, The Legend of Puss in Boots.

GHOST IN THE SHELL: VFX Breakdown by MPC

September 4, 2017, 08:01 AM

http://www.artofvfx.com/ghost-in-the-shell-vfx-bre...

MPC have released this VFX Breakdown about their really nice work on GHOST IN THE SHELL...

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