It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 10, 2021, 09:11 AM
https://www.premiumbeat.com/blog/how-to-edit-flash...
This guide breaks down everything you need to know about producing and editing effective flashback sequences
November 10, 2021, 09:11 AM
https://lesterbanks.com/2021/11/how-to-make-a-walk...
Move Shapes shows how to create a simplistic walk cycle using FK in After Effects. This new tutorial from the Move Shapes channel (Peter Arumugam) shows how you can simplify the rigging and animation of
November 10, 2021, 09:11 AM
https://lesterbanks.com/2021/11/create-real-intera...
Jonathan Winbush shows how to make genuine holograms using Unreal Engine and Looking Glass Portrait. Lots have created a holographic effect digitally, but Jonathan Winbush makes one you can hold in your hand in his latest tutorial.
November 10, 2021, 09:11 AM
https://tonebenderspodcast.com/179-handheld-record...
We are joined by Tim Nielsen, Kristina Morss & Mark Kilborn to talk about gear obsession and strategies to reign in those new purchase impulses.…
November 10, 2021, 09:10 AM
https://www.redsharknews.com/setting-up-a-home-rec...
Last time we focussed on the room setup, this time Nigel Cooper delves into the recording gear.
November 10, 2021, 09:09 AM
https://www.premiumbeat.com/blog/how-to-fix-out-of...
Work around slightly out-of-focus footage with this DaVinci Resolve quick tip.
November 9, 2021, 11:40 AM
https://www.aotg.com/alex-amick-on-cutting-muppets/
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.
November 9, 2021, 10:10 AM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design announced today that the newest installment of the “Dr. Martens Presents” documentary film series, titled “Redefining Feminism in Punk: Los Angeles,” was shot on the Blackmagic Design Pocket Cinema Camera 6K and graded in DaVinci Resolve Studio.
#blackmagic design#davinci resolve studio#pocket cinema camera 6kNovember 9, 2021, 08:36 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON – Director Ridley Scott’s The Last Duel brings to audiences the tale of gripping betrayal and vengeance, set against the brutality of 14th century France. Technicolor Creative Studios’ production supervisors Gary Brozenich and Jessica Norman worked alongside MPC Film (mpcfilm.com) VFX supervisor Sebastien Raets, VFX producer Skye Radies and teams in London, Montreal and Bangalore, delivering over 180 shots, and with VFX supervisor Yann Blondel, VFX producer Kristina Prilukova and ...
November 9, 2021, 08:36 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — While blockbuster films often draw in audiences with their stunning visual effects, a new study shows that the number of women responsible for the on-screen imagery is very low. The report, titled “Invisible in Visual Effects”, is the second in a partnership between Dr. Stacy L. Smith, the Annenberg Inclusion Initiative and Women in Animation (http://womeninanimation.org), and explores women’s participation across industries. The quantitative study examined women working in...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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