To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Editors Guild Board Candidates Weigh In On IATSE C
November 9, 2021, 08:32 AM
https://deadline.com/2021/11/editors-guild-iatse-r...
As IATSE members prepare to vote this weekend on a proposed new film and TV contract, membership discontent is evident not only on social media but also is a playing out in the Editors Guild’s upcoming board elections. In their campaign statements, none of the guild’s 23 board candidates openly opposes the tentative agreement, but none flat out endorse it either.
fylmai AI Color Grading in the Cloud Released
November 9, 2021, 08:32 AM
https://www.cined.com/fylm-ai-ai-color-grading-in-...
Finally out of beta, fylm.ai is a cloud-based color grading platform that uses deep learning algorithms to enhance the look of your footage. Experienced colorists, independent filmmakers, and beginners can quickly and easily design, collaborate, and finish their projects all inside of their browsers. This ACES color-managed system simplifies the process and gives everyone the tools they need to take their work to the next level.
Venom Let There be Carnage Trailer VFX Breakdow
November 9, 2021, 08:32 AM
https://www.artofvfx.com/venom-let-there-be-carnag...
DNEG reveal the visual effects work on the action-packed trailer for Venom: Let There Be Carnage!
Tim Stevenson appointed VFX supervisor at Mels Studios
November 8, 2021, 08:40 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
MONTREAL — Mels Studios (www.mels-studios.com) has appointed Tim Stevenson visual effects supervisor. The company offers soundstage and equipment rentals, visual effects, sound and picture post production, mobile unit rental, a virtual production stage and distribution services. Stevenson is an industry veteran with 25 years of experience in VFX and animation. His credits include work on Avatar, Jurassic Park (II and III), Happy Feet, and most recently, VFX supervision on the Netflix...
Video Tutorial: Create the Cheshire Cat Look in After Effects
November 8, 2021, 08:40 AM
https://www.premiumbeat.com/blog/after-effects-fad...
In this tutorial, learn how to quickly create an eerie stare and smile effect during a fade out transition.
Folks VFX opens new Canada facility, looks to recruit talent
November 8, 2021, 08:40 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
SAGUENAY, CANADA — Folks VFX (https://folksvfx.com), a studio that specializes in creating visual effects for feature film and episodic productions, has opened its fourth visual effects studio, this one in Saguenay, Quebec. The new studio joins an existing footprint in Montréal, Toronto and Bogotá, Columbia. Overall, the Saguenay location becomes the tenth studio location in the FuseFX portfolio, which also includes Rising Sun Pictures in Australia.
Creating the Title Sequence for No Time to Die
November 8, 2021, 08:40 AM
https://postperspective.com/creating-the-title-seq...
No Time To Die marks the seventh title sequence Framestore has created for a James Bond movie, continuing a 25-year tradition for the creative studio. But this time was a little different – the title sequence for No Time To Die required a decidedly different approach for Framestore, whose relationship with EON Productions and the James Bond franchise dates back to 1995’s GoldenEye. Continue reading → November 3, 2021 The post Creating the Title Sequence for No Time to Die appear...
Vincent Taylor Joins Harbor as Senior Colorist
November 8, 2021, 08:39 AM
https://postperspective.com/vincent-taylor-joins-h...
Harbor has beefed up its color team with the addition of Vincent Taylor as senior colorist. This veteran post pro has previously held similar positions MPC Shanghai, MPC New York, Chimney New York and The Lab in Sydney. Taylor will be working out of New York for the rest of 2021 and then relocating to Los Angeles in the new year. Continue reading → November 3, 2021 The post Vincent Taylor Joins Harbor as Senior Colorist appeared first on postPerspective.
178 – The French Dispatch with Wayne Lemmer & Chris Scarabosio
November 8, 2021, 08:39 AM
https://tonebenderspodcast.com/178-the-french-disp...
Supervising Sound Editors and Re-recording Mixers Christopher Scarabosio & Wayne Lemmer talk to us about their work on The French Dispatch. They tell us about…
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