To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colorist James Bamford appointed creative director at Rascal Post

November 2, 2021, 08:40 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

LONDON — Colorist James Bamford (www.rascalpost.com) has joined Rascal Post as creative director, following an 18-year tenure at The Mill London, where he was most recently head of color. Bamford has worked with a number of top directors, including Matthew Vaughn, Oscar Hudson, Taika Waititi and Nicolai Fuglsig. His portfolio includes Volvo’s Epic Split, John Lewis’  The Man on the Moon and Coca Cola’s 2020 Christmas ad  The Letter. He has also collaborated with brands such as Play...

Working Scale Using a Python Matrix Array in C4D

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https://lesterbanks.com/2021/11/working-scale-usin...

Expresso Mechanic TV shows how to work with scale using Python in C4D within a Python effector. A new installment of Expresso Mechanic TV’s Python Bytes looks into how you can work with scale within a Python

Final Cut Pro 10.6’s XML Bundle Format Explained

November 2, 2021, 08:40 AM

http://www.philiphodgetts.com/2021/11/final-cut-pr...

With the release of Final Cut Pro 10.6 Apple introduced a new XML format. The original FCP XML was known as fcpxml and was a single text file, as is all XML. The new format – fcpxmld – is a package, not a single file known as a Bundle. A ‘Bundle’ in macOS appears as […] The post Final Cut Pro 10.6’s XML Bundle Format Explained first appeared on The present and future of post production business and technology.

Blackmagic Design issues new DaVinci Resolve update

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https://www.redsharknews.com/blackmagic-design-iss...

Hot on the heels of the recent DaVinci Resolve 17.4 release, Blackmagic Design has released another new update.

Composer Tree Adams: Using Local Sounds on NCIS Hawai’i

November 2, 2021, 08:39 AM

https://postperspective.com/composer-tree-adams-us...

By Randi Altman Veteran composer Tree Adams has a long list of credits that include television, film, documentaries and more. Just some of his work can be heard in The 100, Californication, The Bronx is Burning, NCIS New Orleans and, most recently, NCIS Hawai’i. Continue reading → November 1, 2021 The post Composer Tree Adams: Using Local Sounds on NCIS Hawai’i appeared first on postPerspective.

Bringing the wild west to life with Adobe Premiere Pro

November 2, 2021, 08:39 AM

https://www.provideocoalition.com/bringing-the-wil...

Michael Buday has worked in the film industry for more than 30 years, editing everything from BBC documentaries to hit sitcoms to the MTV Movie Awards. As a freelance editor, Buday has always worked to understand the technology behind editing and has used almost every editing suite over the years. He helped launched high-definition television [...]Read More...

A Quick Start Guide to Substance 3D Sampler

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https://lesterbanks.com/2021/11/a-quick-start-guid...

Reza Sarkamari shows how to get started with Adobe Substance 3D Sampler quickly. 3D Sampler is part of the Adobe Substance suite and a super-convenient tool. It offers a way to go from a real-life

High-End Audio in Budget-Friendly Field Recorders

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https://www.premiumbeat.com/blog/budget-friendly-f...

Here’s a round-up of some of the better field recorders for budget conscious creators, along with their supplied lavalier microphones. Usually, audio recorders and the term “small …

Colorist James Bamford Joins Rascal Post as Creative Director

November 2, 2021, 08:38 AM

https://postperspective.com/colorist-james-bamford...

London-based Rascal Post has today announced that colorist James Bamford has joined the team as creative director. Bamford joins after an 18-year tenure at The Mill London, where he had been appointed head of color in 2020. Blending his creative experience with technical skills, Bamford has worked with many directors over the years, Continue reading → November 1, 2021 The post Colorist James Bamford Joins Rascal Post as Creative Director  appeared first on postPerspective.

Colorist Chat: Italy-Based Marco Valerio Caminiti

November 2, 2021, 08:38 AM

https://postperspective.com/colorist-chat-italy-ba...

Marco Valerio Caminiti is a colorist at Rome-based Frame by Frame, a boutique offering post production, CGI, VFX, color grading, editing, sound design, mastering and delivery. Caminiti joined Frame by Frame in the role of senior colorist in early October, coming from WB De Lan Lea, where he was a dailies operator position at WB De Lane Lea while at the same time honing his skills working as a freelance colorist. Continue reading → November 1, 2021 The post Colorist Chat: Italy-Based Marco Vale...

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