To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

LBB The VFX Factor Putting Skills into Practice

October 28, 2021, 09:13 AM

https://www.themill.com/newsfeed/lbb-the-vfx-facto...

The Mill London's creative director on trust and patience, the importance of planning and working with Yamaha

Adobes Project Morpheus uses AI to automate frame

October 28, 2021, 09:13 AM

https://www.engadget.com/adobe-max-sneaks-project-...

Something Adobe does at nearly every one of its annual design conferences is preview experimental features that may one day make their way to its apps. In 2020, it was a tool called Sharp Shots. This year, it was Project In-Between and a feature called Project Morpheus.

Shocking Death on Set Shows Whats at Stake in I

October 28, 2021, 09:12 AM

https://labornotes.org/2021/10/shocking-death-set-...

The union representing 60,000 film and television crew workers reached a tentative agreement with Hollywood producers October 16. The deal averted a first-ever national strike by the Theatrical and Stage Employees (IATSE), which was set to begin the next night—at least for the time being. The contracts will be voted on in the next several weeks.

FX Shots for Episodic Drama Germinal Captured on the URSA Mini Pro 12K

October 27, 2021, 09:54 AM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that DaVinci Resolve was used through the digital intermediate (DI) pipeline on French period drama Germinal, with key VFX shots produced using the Blackmagic URSA Mini Pro 12K.

#blackmagic design#davinci resolve studio#davinci resolve advanced panel#ursa mini pro 12k
Senior colorist Vincent Taylor joins Harbor

October 27, 2021, 08:42 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

NEW YORK CITY — Harbor (https://harborpicturecompany.com) has added Vincent Taylor to its artist roster as senior colorist. Prior to joining the studio, Taylor served as senior colorist at MPC Shanghai, senior colorist at MPC NY, head of color & senior colorist at Chimney NY and senior colorist at The Lab, Sydney. A 20-year veteran, Taylor has worked across all genres, including advertising, features, episodic television, music videos and documentaries. His early background as a cinematographe...

BeloFX opens in Canada & the UK

October 27, 2021, 08:42 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

QUEBEC, CANADA — BeloFX (www.belofx.com) is a new visual effects company that has opened for business in British Columbia and Quebec, Canada, as well as in the UK. Built on a core belief in creative talent empowered by technology, the company will harness the potential of distributed working from its inception.

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