It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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https://www.premiumbeat.com/blog/free-transition-t...
This Premiere Pro transition template does just about everything—and it's FREE. Let's face it, it's a win-win situation.
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Stephen Pearson shows how to model and render an RGB glowing keyboard in Blender. This new tutorial from the Blender Made Easy channel (Stephen Pearson) walks us through how to model a keyboard and then takes it
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https://www.provideocoalition.com/editors-on-editi...
The Editors on Editing Podcasts brings the fantastic conversations that Glenn Garland has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Glenn talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and [...]Read More...
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Stephen Lawes is the co-founder and creative director of LA-based Cantina Creative, a design and VFX company that focuses on storytelling through creative and technical innovation. A lot of their work is for the Marvel Cinematic Universe. As creative director, he spends most of the time organizing teams of artists, Continue reading → October 20, 2021 The post Behind the Title: Cantina Creative CD Stephen Lawes on Loki, More appeared first on postPerspective.
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https://blog.motionisland.com/after-effects-styliz...
Ever wonder what the stylize effects look like in After Effects? Well you landed in the right place I was able to create a stylize preview gallery to see an overview of each presets so you can have a overall idea of how your layers and videos will look like after you apply the [...] The post After Effects Stylize Presets Preview appeared first on MotionIsland Blog.
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https://www.redsharknews.com/business/item/3542-fi...
Replay: Phil Rhodes on the seemingly unending delays that companies place on payments to freelancers and the top categories of excuses that tend to crop up whenever the invoice is chased.
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https://www.motionpictures.org/2021/10/dune-editor...
Last week in his adopted hometown of Los Angeles, UK-raised editor Joe Walker had just finished cutting a TV commercial down to thirty seconds when he took a break to discuss Dune (opening Oct. 22), which clocks in at two hours and thirty-five minutes. “But come on,” Walker laughs. “It feels like thirty seconds.” In 1984, David Lynch’s adaptation of Frank Herbert’s 1965 sci-fi novel failed to translate on the big screen—Villeneuve has solved the Dune riddle and delivered something ...
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https://beforesandafters.com/2021/10/21/vfx-notes-...
This week on VFX Notes–our 9th episode!–Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters go retro with the visual effects in David Lynch’s Dune from 1984, just as the new version of Dune gets released across the globe.
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