To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

14 Tips for Faster Rendering in After Effects

April 22, 2022, 09:23 AM

https://www.premiumbeat.com/blog/14-tips-faster-re...

Let's speed up your render times—and workflow—in After Effects with these handy settings and hardware tips.

Review: Asus ProArt 32-Inch UHD Color-Accurate Display

April 22, 2022, 09:23 AM

https://postperspective.com/review-asus-proart-32-...

By Brady Betzel Color-accurate reference monitors are one of the most important components in your color-correction ecosystem. And while monitors directly connected to your system are best when they are color-accurate, embrace large resolutions, can conform to many color spaces and have many nits, it’s vital that your reference monitor is as accurate as possible to give the colorist the best starting point. Continue reading → April 21, 2022 The post Review: Asus ProArt 32-Inch UHD Color-Accu...

Colorist Society Hollywood to present NAB panel

April 20, 2022, 08:31 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

HOLLYWOOD — In a special session at NAB Show 2022 in Las Vegas, three founding members of Colorist Society Hollywood, a newly-formed chapter of the global Colorist Society (CSI), will discuss the group’s ambitious plans for promoting their craft. The session is set to take place Sunday, April 24th at 9:15am at the Las Vegas Convention Center (N255-N257).

How to Add LUTs in Premiere Pro (And 35 Free LUTs)

April 16, 2022, 12:25 PM

https://www.premiumbeat.com/blog/adding-luts-in-pr...

In this step-by-step guide, we'll show you how to apply a single LUT in Premiere Pro and how to add your favorite LUTs to the dropdown menu.

Mark your calendars for the DaVinci Resolve Cloud Update

April 14, 2022, 08:19 AM

https://www.provideocoalition.com/mark-your-calend...

Normally I don’t post about upcoming events but this April 18th, pre-NAB DaVinci Resolve Cloud Update is noteworthy for a couple of reasons. First, we’re quickly coming upon our first in-person NAB in a couple of years so add Blackmagic to Adobe and Apple who have updated editing and post-production products before we convene in [...]Read More... from Mark your calendars for the DaVinci Resolve Cloud Update

Color Management Part 5: Introducing CIE 1931

April 14, 2022, 08:18 AM

https://www.provideocoalition.com/color-management...

Anyone who’s ever looked up color management – especially using Google – will have seen the funny, multi-colored tongue that is the CIE 1931 chromaticity diagram.  But when I saw it for the first time I didn’t feel like I really understood it.  It seemed to raise more questions than answer them – why is [...]Read More... from Color Management Part 5: Introducing CIE 1931

Grading Remotely: Color and More

April 12, 2022, 08:19 AM

https://postperspective.com/grading-remotely-color...

By Beth Marchant Color grading, like any artistic pursuit, can be a solitary affair, especially when the world is in lockdown. But although in-person grading sessions are increasing as pandemic rules relax, remote collaboration is no longer the last resort it was during the start of the pandemic. For a smaller production facility like Los Angeles-based Sandwich, Continue reading → April 11, 2022 The post Grading Remotely: Color and More appeared first on postPerspective.

Light Iron Adds Colorist Charles Bunnag

April 12, 2022, 08:18 AM

https://postperspective.com/light-iron-adds-colori...

Post production company Light Iron has added colorist Charles Bunnag to its team. Bunnag will work out of Light Iron’s Los Angeles facility, with the ability to collaborate with clients globally thanks to the company’s remote offerings. Some of Bunnag’s recent work includes the series The Book of Boba Fett, Continue reading → April 11, 2022 The post Light Iron Adds Colorist Charles Bunnag appeared first on postPerspective.

HDR Version of Remastered Classic Film Galaxy Express 999 Graded with DaVinci Resolve Studio

April 11, 2022, 12:00 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that the classic Japanese animated feature "Galaxy Express 999" and its sequel "Adieu Galaxy Express 999" have been graded and remastered for HDR using DaVinci Resolve Studio editing, grading, visual effects (VFX) and audio post production software. Originally released more than 40 years ago, the films were remastered in 4K HDR for Dolby Vision by Tokyo’s Q-tec, Inc.

#blackmagic design#davinci resolve studio
How David Fincher Uses Color in Film Explained

April 11, 2022, 09:08 AM

https://www.studiobinder.com/?p=29429

One could point to any number of impressive techniques used in David Fincher movies, but perhaps one of the most important is his movie color palette. As he himself once said, “In film, we sculpt time, we sculpt behavior and we sculpt light.” That last one is what we’re focusing on today. Here are some of the more powerful ways Fincher’s color palette enhances his stories and characters.  Watch: David Fincher Color Palette Explained Subscribe for more filmmaking videos like this. Conti...

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.