To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VFX Firsts What was the first digital matte paint

July 6, 2021, 08:56 AM

https://beforesandafters.com/2021/07/06/vfx-firsts...

The movies featured this week on VFX Firsts are productions that represented so many VFX firsts, including computer graphics, digital character animation, digital compositing and also, digital matte painting. This was thanks to the incredible innovations of ILM and the team at the Lucasfilm Computer Graphics Division (which eventually ‘became’ Pixar).

Lovecraft Country Breaking Down the Breakdown of

July 6, 2021, 08:55 AM

https://www.artofvfx.com/lovecraft-country-breakin...

Don’t miss the new episode of « Breaking Down the Breakdown » by Rodeo FX about their work on Lovecraft Country and focusing on the creation of Chicago and Tulsa...

Academy Animation VFX Membership Invitees 2021

July 5, 2021, 08:46 AM

https://www.animationmagazine.net/people/academy-a...

The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 395 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.

Godzilla vs Kong Hong Kong Battle

July 5, 2021, 08:46 AM

https://www.artofvfx.com/godzilla-vs-kong-hong-kon...

Interested to watch titans having intense fight in the city of Hong Kong? Don’t miss this clip from Godzilla vs Kong with the VFX made by MPC!

Looking back at VisionArts procedural VFX for In

July 2, 2021, 09:01 AM

https://beforesandafters.com/2021/07/02/looking-ba...

Under the artful watch of visual and digital effects supervisors Volker Engel, Doug Smith and Tricia Ashford, a crack team of in-house effects artists and several post houses carried out the significant CG, matte painting and compositing duties for Independence Day.

VFX vet Eric J. Robertson named EVP at ReDefine

July 1, 2021, 11:54 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

NEW YORK CITY — Animation and visual effects company ReDefine (redefine.co) has expanded its presence in North America with the appointment of VFX supervisor/producer Eric J. Robertson, who will serve as executive vice president. Robertson brings three decades of visual effects industry experience to this new position, having worked on-set and in-studio on both the client side and as a vendor.

VFX Artifacts The Dinosaur Input Device

June 30, 2021, 09:11 AM

https://beforesandafters.com/2021/06/24/vfx-artifa...

Well, befores & afters has launched another VFX podcast! This new show is called VFX Artifacts, and it’s going to look at some key objects, tools, pieces of software and other items from VFX history. We’re starting with the Digital Input Device (also called the Dinosaur Input Device) made during the making of Jurassic Park.

VFX Notes Ep 2 F9 stylization in animation VF

June 30, 2021, 09:06 AM

https://beforesandafters.com/2021/06/29/vfx-notes-...

In episode 2 of VFX Notes, Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters discuss what they’ve been watching (hint, it’s fast and furious), look at the major leaps in stylization in animation, discuss z-depth and talk about the best VFX forums on the web.

The stand ILP VFX breakdown

June 30, 2021, 09:06 AM

https://vimeo.com/567100162

Let’s discover a post-apocalyptic world created by the teams of Stockholm based studio Important Looking Pirates on The Stand...

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