To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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https://www.premiumbeat.com/blog/video-tutorial-cr...

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https://www.redsharknews.com/can-we-confine-fracti...

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https://lesterbanks.com/2021/09/check-out-this-sub...

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https://creativevideotips.com/tutorials/tentacle-s...

Discover how you can instantly sync your footage using linear timecode that is recorded to the audio track of any camera that has a microphone input with a Tentacle Sync E and then edit in Blackmagic Design’s DaVinci Resolve 17 multi-cam and Sync Bin for your next video project!  LTC timecode doesn’t have to be out of reach for indie filmmakers and DaVinci Resolve 17.3 makes it super simple with being able to convert audio timecode to metadata timecode with a simple right-click of the mouse...

Future Moments: three audio production apps for Mac OS

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https://www.provideocoalition.com/future-moments-t...

MicSwap Multitrack, AudioMaster and VideoVerb Pro for iOS are now also available to Mac OS users, extending to the desktop apps that were only used with mobile devices like iPhones and iPads. A team of musicians, engineers and content creators with a passion for bringing high fidelity mobile audio production tools to content creators, Future [...]Read More...

How to Model a Realistic Toy Plane in C4D

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https://lesterbanks.com/2021/09/how-to-model-a-rea...

PolygonPen shows the process for modeling a toy plane in C4D from reference. Check out this new hard-surface modeling tutorial from Polygon Pen that covers the process of creating a realistic toy plane from scratch. Polygon Pen

See What’s New in Boris FX Mocha 2022

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https://lesterbanks.com/2021/09/see-whats-new-in-b...

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https://www.redsharknews.com/modern-tech-is-good-b...

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VFX Futures How Halon previsd Free Guy

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https://beforesandafters.com/2021/09/21/vfx-future...

In this latest VFX Futures podcast episode, Ian Failes from befores & afters chats to Halon previsualization supervisor Ryan McCoy and Halon on-set supervisor Grant Olin about the visualization of Free Guy. Halon, an NEP Virtual Studios Company, crafted previs, techvis and postvis for the movie.

Go to film school with Space Jam A New Legacy

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https://beforesandafters.com/2021/09/21/go-to-film...

This new video from Warner Bros. showcases a lot of the work that went into Space Jam: A New Legacy, including by VFX studio ILM. Visual effects supervisor Grady Cofer, associate VFX supervisor Vick Schutz, VFX producer Marissa Gomes and digital animation supervisor Kevin Martel are featured.

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