It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 19, 2021, 09:04 AM
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https://www.provideocoalition.com/clip-mixing-and-...
It’s always fun to talk about how new tools and innovations can create efficiencies, but many sound and picture editors don’t take advantage of the capabilities that are literally built into the solutions they use on a daily basis. A prime example of this is the audio capabilities that are built into Premiere Pro that [...]Read More...
August 19, 2021, 09:03 AM
https://postperspective.com/tips-for-video-editors...
By Jonathan Parks For video editors working on short- and long-form content, music selection is often the most daunting part of the process. Knowing how to work with a production music library and find that perfect track can be difficult when the stakes are so high. While music is just one of many components that go into creating an entertaining, Continue reading → August 18, 2021 The post Tips for Video Editors Working With Music Libraries appeared first on postPerspective.
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https://lesterbanks.com/2021/08/a-nice-guide-to-cr...
Daria Jerjomina shows the how and why of creating animation controllers when in Maya. Ever wonder why NURBS curves are so popular as animation controllers? We know that they don’t render, but there are other excellent
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You And Me Academy shows how you can render an insane amount of geometry by using Redshift Proxies. Most modern rendering engines will allow you to work with proxy objects. It’s a workflow that will
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https://www.provideocoalition.com/nab-show-will-re...
NAB announced today that attendees to NAB Show 2021 will be “required for all participants attending NAB Show and co-located events.” There is a full statement in the NAB Show Health and Safety Updated located on the NAB Show website via PDF. If you’re subscribed to NAB’s mailing list you probably got that via email [...]Read More...
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https://www.premiumbeat.com/blog/premiere-pro-lagg...
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https://www.toolfarm.com/news/continuum-fcp-oliver...
Oliver Peters, a veteran film and commercial editor/colorist, reviews Boris FX Continuum FCP at FCP.co. A seasoned Continuum user, he talks about the changes in this highly-anticipated release. Oliver gives lots of visual examples and looks at some of the multitudes of effects included in the package.
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https://www.avnetwork.com/news/audio-technica-upda...
The What: Audio-Technica is introducing its new ATH-M50xBT2 wireless over-ear headphones, the next generation of the flagship wireless iteration of its popular ATH-M50x professional monitor headphones. The ATH-M50xBT2 features a number of enhancements to improve performance and usability. The acclaimed sonic signature, however, remains unchanged.
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