To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Oxygen Making of by Mac Guff
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Director Alexandre Aja and VFX Supervisor Thierry Onillon talk about the visual effects work made by Mac Guff on the French Netflix movie, Oxygen...
The Third Day VFX Breakdown by MPC Episodic
June 7, 2021, 09:24 AM
https://www.artofvfx.com/the-third-day-vfx-breakdo...
Let’s go to a mysterious island to discover the work made by MPC Episodic on the series The Third Day...
How a greenscreen stage was used to shoot that
June 5, 2021, 10:45 AM
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Behind the shots with visual effects supervisor Jim Mitchell.
PowerHouse VFX Expands Production Team with New Hi
June 2, 2021, 09:07 AM
https://www.awn.com/news/powerhouse-vfx-expands-pr...
Alan Precourt named VFX supervisor; Caitlyn Tomasik joins as head of production.
The Irregulars VFX Breakdown by DNEG
May 31, 2021, 09:19 AM
https://www.artofvfx.com/the-irregulars-vfx-breakd...
Let’s discover the work made by the teams of DNEG on the Netflix series, The Irregulars...
BecomingATD
May 31, 2021, 09:18 AM
https://www.allanmckay.com/becoming_a_td/
Whether you are a Houdini artist writing in VEX or Python or 3DS Max with MaxScript, Maya with MEL Script, or Python scripting in Nuke, Blender or any other package. This all applies! And for Character TD or Pipeline TD or Effects TD we break down every role.
The Underground Railroad Editor Joi McMillon
May 28, 2021, 09:05 AM
https://deadline.com/video/the-underground-railroa...
Editor Joi McMillon appears in the latest installment of Production Value to break down her work on 'The Underground Railroad.'
Shadow and Bone Raphael Hamm VFX Supervisor
May 28, 2021, 09:05 AM
https://www.artofvfx.com/shadow-and-bone-raphael-h...
Raphael Hamm has been working in visual effects for almost 20 years. He has worked in many studios such as Scanline VFX and Trixter before joining DNEG in 2009. He has worked on a various films including Iron Man 2, Man of Steel, Interstellar and Dunkirk.
3 Ways to Use the Fractal Noise Effect in Adobe After Effects
May 26, 2021, 12:33 PM
https://www.premiumbeat.com/blog/fractal-noise-ado...
In this tutorial, you’ll learn how to harness the power of grayscale noise in Adobe After Effects. Let’s get started! No matter the type of project you’re …
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