To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
DaVinci Resolve 1745 Available to Download Now
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This iteration of DaVinci Resolve improves deconstruction of nested timelines for audio tracks and adds support for 20% faster decoding and rendering of Blackmagic RAW 12K files on Apple M1 Max.
Colourlab Ai 2.0 Adds Premiere, FCP Integration, New UI
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https://postperspective.com/colourlab-ai-2-0-adds-...
Color Intelligence has released the public beta version of Colourlab Ai 2.0 featuring new features and an entirely new user interface created with the goal of making the color grading process faster, easier and more accessible. In addition to the existing integration with DaVinci Resolve, Colourlab Ai v2.0 features support for both Adobe Premiere and Apple Final Cut Pro. Continue reading → February 28, 2022 The post Colourlab Ai 2.0 Adds Premiere, FCP Integration, New UI appeared first on post...
ColourLab Ai 2.0 public beta announced
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Color Management Part 2: Newton’s Prisms
February 22, 2022, 08:50 AM
https://www.provideocoalition.com/color-management...
Color management may not be fun, but we once we break the topic down into small parts it becomes much easier to digest. In the introduction I suggested that it’s no longer possible to completely ignore color management, so with that out of the way, let’s get started. Sooner or later, any discussion about color [...]Read More... from Color Management Part 2: Newton’s Prisms
The Cleaning Lady: Picture Shop colorist Paul Allia
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Netflix's Passing: Shot in color and delivered in B&W
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NEW YORK CITY — Based on Nella Larsen’s novel, the Netflix film Passing follows Irene Redfield (Tessa Thompson), a black woman in 1920s New York City, whose world is upended when her life becomes intertwined with former childhood friend, Clare Kendry (Ruth Negga), who's passing as white. The film marks the directorial debut of Rebecca Hall, who also adapted the screenplay.
29 Free LUTs for Video
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These FREE LUTs are perfect for professional video editors. Make your footage more cinematic with these free color grading tools.
Color Management Part 1: The Honeymoon is over.
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