To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Godox announces the VDS-M2 supercardioid mic

April 1, 2022, 09:11 AM

https://www.redsharknews.com/godox-announces-the-v...

For those after a high quality camera mounted mic, the VDS-M2 mic from Godox could be just the ticket.

A Quiet Place Part II: Skywalker’s Brandon Proctor on Sound and Silence

March 31, 2022, 08:24 AM

https://postperspective.com/a-quiet-place-2s-sound...

By Patrick Birk With our 2022 Oscar coverage now behind us, we took the opportunity to look back at the film A Quiet Place Part II, and the line the sound team had to walk to ramp up the horror. Director John Krasinski’s follow-up to 2019’s A Quiet Place Continue reading → March 30, 2022 was nominated for a BAFTA this year in the Sound category. The post A Quiet Place Part II: Skywalker’s Brandon Proctor on Sound and Silence appeared first on postPerspective.

Analogue Wayback, Ep. 6

March 20, 2022, 03:15 PM

https://digitalfilms.wordpress.com/2022/03/20/anal...

This is the world’s most expensive stopwatch. There are few clients who truly qualify as “the client from Hell”. Clients have their own stresses that may be unseen or unknown to the editor. Nevertheless, some create extremely stressful edit sessions. I previously wrote about the color bar fiasco in Jacksonville. That client returned for numerous […]

Avid Announce Pro Tools Plugin Update 20222

March 18, 2022, 08:33 AM

https://www.pro-tools-expert.com/home-page/avid-an...

Avid has today announced an update to Pro Tools plug-ins bundle 2022.2, which now together with Pro Tools 2021.12 offers Monterey and Apple Silicon support for Pro Tools plugins. We have the details.

MPSE Awards Give Dune and West Side Story

March 14, 2022, 09:11 AM

https://www.indiewire.com/2022/03/motion-picture-s...

The Oscar-frontrunner “Dune” (Warner Bros.), “Nightmare Alley” (Searchlight Pictures), and “West Side Story” (20th Century Studios) each won sound editing feature awards Sunday night at the 69th annual MPSE Golden Reel Awards (held virtually). “Dune” took feature effects/foley, “Nightmare Alley,” a non-Oscar nominee and surprise winner over “Dune” and “No Time to Die,” snagged feature dialogue/ADR, and Oscar nominee “West Side Story” collected feature music. The o...

Golden Reel Awards 2022 Winners List Motion Pictu

March 14, 2022, 09:10 AM

https://deadline.com/2022/03/golden-reel-awards-20...

Dune, West Side Story and Nightmare Alley were among the big film winners at the Motion Picture Sound Editors’ 69th Golden Reel Awards, which were handed out during a virtual ceremony tonight. See the full list below.

NUGEN Audio to feature Paragon at NAB 2022

March 11, 2022, 08:18 AM

https://www.4rfv.co.uk/industrynews/283603/nugen_a...

Offering full control of the decay, room size and brightness via state-of-the-art re-synthesis modelled on 3D recordings of real spaces, broadcast professionals can experience an unprecedented level of tweak-ability, with zero time-stretching―meaning no artifacts. The company is also presenting the latest updates for its Halo Downmix plug-in, which increases the software’s compatibility to allow for greater flexibility and collaboration across a broad spectrum of project types.

Sennheiser Roadmap 2022

March 10, 2022, 08:36 AM

https://www.avnetwork.com/features/sennheiser-road...

As part of our ongoing AVT Thought Leaders Series, we asked David Missall, Insights Manager, Business Communication at Sennheiser, to provide a rare insider's perspective into the company's roadmap for 2022.

The Most Practical Live-streaming Microphones on the Market

March 3, 2022, 07:54 AM

https://www.premiumbeat.com/blog/most-practical-li...

Here are nine of the best, most affordable microphones for anyone interested in recording high-quality audio for live-streaming.

5 Ways Pro Tools Folder Tracks Are Awesome

March 1, 2022, 08:35 AM

https://www.pro-tools-expert.com/home-page/5-ways-...

When Avid introduced Folder Tracks in 2020, it streamlined session organisation in many ways. While the Auxiliary Inputs and VCAs they to some extent replace are still useful, and to many necessary, Folder Tracks are so convenient that for many they have been a gift we didn’t appreciate how much we needed until we got it. In this free tutorial, brought to you with the support of Avid, we take a whistle stop tour of Folder Tracks. Both how and why to use them by looking a 5 Ways Folder Tracks A...

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.