It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 28, 2021, 08:57 AM
https://beforesandafters.com/2021/04/28/exclusive-...
If you’ve watched The Boys, the Amazon Original drama series from Prime Video, then you know it’s a comic book series with a difference. I’ve covered the visual effects of the show a few times, including being lucky enough to sit in on a review session with VFX supervisor Stephan Fleet.
#vfx#the boysApril 28, 2021, 08:57 AM
https://beforesandafters.com/2021/04/28/heres-how-...
How was that amazing mirror shot in Contact *really* done? What could the stuffie version of Goose the cat do on the set of Captain Marvel? How might the future of cinema look with purpose-built immersive pods?
#douglas trumbull#sheena duggal#shane mahanApril 27, 2021, 08:43 AM
https://beforesandafters.com/2021/04/27/vfx-firsts...
Chrome balls. Mirror balls. HDRI balls. Light probes. They sometimes go by many names, but they all do the same thing: aid in capturing the lighting conditions on set and in re-creating those conditions on your CG character or CG environment.
April 27, 2021, 08:42 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — Global visual effects and animation company Dneg (www.dneg.com) was recognized at the 93rd Academy Awards with the Oscar for “Best Visual Effects” for its work on Warner Bros.’ Tenet, directed by long-term collaborator Christopher Nolan.
April 27, 2021, 08:41 AM
https://www.artofvfx.com/tenet-vfx-making-by-bbc-c...
Overall VFX Supervisor Andrew Jackson talk about the VFX secrets of Tenet (made by DNEG) in this BBC...
#tenet#dnegApril 27, 2021, 08:40 AM
https://www.awn.com/news/juice-merges-pixelbox-ope...
After having serviced China-based clients remotely for several years, visual effects and sound studio Juice has launched a Shanghai-based office, which comes on the heels of the company’s recent merger with PixelBox. The studio’s new location and increased resources will allow for immediate response to client needs and facilitation of more hands-on collaboration. The new branch aims to become the second biggest office for the company worldwide.
#shanghai#pixelbox#juiceApril 27, 2021, 08:39 AM
https://www.awn.com/vfxworld/getting-bang-out-equa...
Just renewed for a second season, CBS’ hit crime drama, The Equalizer, a reimagined version of the 1980s series, stars Academy Award-nominated actor Queen Latifah (Chicago, Bessie) as Robyn McCall, a woman with a mysterious background who uses her extensive skills as a former CIA operative to help those with nowhere else to turn.
#equalizerApril 26, 2021, 08:57 AM
https://deadline.com/2021/04/tenet-wins-2021-oscar...
In a year lacking VFX-heavy films, Warner Bros. Tenet, one of the few tentpoles to bow in 2021 stood alone in the end by taking home the Oscar for best Visual Effects. Christopher Nolan’s sci-fi action pic beat out Netflix’s Midnight Sky, which seemed like the favorite as it took home the honor at the VES honors.
April 26, 2021, 08:53 AM
https://beforesandafters.com/2021/04/26/tenet-take...
The Academy Award for Best Visual Effects went to Tenet (Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley).
#awards#academy#tenet#best visual effects#scott fisher#andrew jackson#david lee#andrew lockleyApril 26, 2021, 08:51 AM
https://www.artofvfx.com/93rd-oscars-the-vfx-winne...
The Academy of Motion Picture Arts and Sciences has just announced the winner for Best Visual Effects!
#vfx#oscarsDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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