To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

RED Raw Files with Adobe CS4 Workflows

January 12, 2009, 06:18 AM

http://www.studiodaily.com/studiomonthly/currentis...

In order to use RED media in Adobe applications, the first thing you’ll need to do is get the latest updates for Premiere Pro and After Effects. The steps in this guide require that you have Premiere Pro 4.0.1 or later and After Effects 9.0.1 or later. The easiest way to update your CS4 applications is to choose Updates... from the Help menu in Premiere Pro or After Effects.

ACE at HD Expo

January 3, 2009, 06:10 AM

http://www.editorsguild.com/v2/magazine/archives/e...

On October 30 at the Burbank Marriott Hotel, the Fall edition of HD Expo played host to an ACE-sponsored panel, titled "See What’s Coming—Meet the Editors of the Hottest Upcoming Releases." Moderated by industry journalist Carolyn Giardina, the panel gathered four editors—Myron Kerstein (Nick and Nora’s Infinite Playlist); Nancy Richardson, A.C.E. (Twilight); Terilyn Shropshire, A.C.E. (The Secret Life of Bees); and Academy Award winner Paul Hirsch, A.C.E. (Love Ranch)—who provided som...

Milk: Portable HD Editing

December 29, 2008, 08:32 PM

http://www.avid.com/US/about-avid/customer-stories...

Editor Elliot Graham (21, Superman Returns) used a combination of Avid desktop and laptop editing solutions to handle the project in HD - whether on set during production in San Francisco, near the director’s home in Portland, Ore., or for finishing work in Los Angeles.

ISIS WORSHIP

December 4, 2008, 08:05 PM

http://www.editorsguild.com/v2/magazine/archives/e...

On December 1, Avid announced the release of the Unity ISIS 2.0 (Infinitely Scalable Intelligent Storage) media storage system, a powerful upgrade to the company’s Enterprise-class media storage network system, and one that the company says sets a new standard for real-time high definition collaboration. The shipping date is TBA.

POST Magazine SWOT Release

December 2, 2008, 07:57 PM

http://www.postmagazine.com/ME2/dirmod.asp?sid=639...

Each year POST Magazine does its December SWOT issue where they ask professionals to give their opinion on the past 12 months and the upcoming twelve months in the industry. Take a look at their articles this month which include DI's, The Red One Camera and more!

Sound and Picture Editors Win HPA Awards

November 13, 2008, 07:11 PM

http://www.editorsguild.com/v2/magazine/archives/e...

Post-election humor abounded at the third annual Hollywood Post Alliance (HPA) Awards ceremony, held November 6 at the Skirball Cultural Center in Los Angeles. From HPA president Leon Silverman’s saluting "Joe the Editor," to MC Wil Shriner declaiming that he’d just lost his job as Sarah Palin’s personal shopper, the clearly expressed mood was one of hope for better times in the industry. As Silverman said, "These are challenging times in Hollywood and particularly for post, which is going...

Acoustically Treat Your Editing Suite

November 10, 2008, 07:00 PM

http://www.studiodaily.com/studiomonthly/currentis...

Location, location, location...Choosing the right location for your editing suite is arguably the single most important decision you will make and making the right decision could save you a ton of money and time. If possible, do not place your editing suite next to the mechanical room or an elevator shaft and avoid exterior walls and windows next to train tracks, busy streets or airports. A room that’s shielded from adjacent rooms by a hallway or closet is ideal. Take advantage of the floor...

Amped-Up HD Editorial for Max Payne

November 10, 2008, 06:59 PM

http://www.studiodaily.com/main/technique/tproject...

Max Payne is the latest example of Hollywood’s yen for adapting the video game for the silver screen. With Mark Wahlberg in the title role and directed by John Moore, this thriller—which also stars Mila Kunis, Beau Bridges, Ludacris and Nelly Furtado—was shot in 35mm 3-perf in Toronto.

Restoration

November 3, 2008, 06:42 PM

http://www.postmagazine.com/ME2/dirmod.asp?sid=639...

Now that the dust has cleared and we will be seeing lots of popular movie titles on Blu-ray discs for our home entertainment, there are lots of directors and DPs stopping in at film restoration shops to see how their work looks all cleaned up, in 1080p HD and with their deleted scenes reinstated. Older films, like The Godfather, are undergoing intricate rehabilitation. And there are those that are older still: think Peter Sellers as Dr. Strangelove. Or the Three Stooges. Post recently talked...

The Cutting Crew

October 15, 2008, 06:13 PM

http://www.videography.com/article/58554

Nothing speaks like experience, so DV recently caught up with six working editors. Each took time out of their busy schedules to talk about the past, present and future of their favorite non-linear editing tools.

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