To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Canare Releases 1.5RU and 2RU Versions of its 32MCKA 12G-SDI Video Patchbay Panel at NAB 2022

April 12, 2022, 02:17 PM

https://www.dpagan.com/canare-releases-1-5ru-and-2...

Complete Set of 12G UHD Micro Video Patchbay Options Now Available LAS VEGAS, APRIL 11, 2022 — Canare Corporation of America will present its new 12G-SDI Video Patchbay solutions at the 2022 NAB Show (Booth C7922). Ideal for broadcast studios, rental facilities and OB trucks, these new 1.5RU and 2RU 32MCKA ultra-high definition micro video patchbay solutions offer the same performance as the 1RU solution, in a larger unit, with high visibility designation strips that are easier to label and...

#nabshow#canare
Safe Sets and Remote Edit Suites

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How to Make a Tornado Effect With Bifrost

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https://lesterbanks.com/2022/04/how-to-build-a-res...

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Movie Trailer Editing with Alex Manning

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https://www.provideocoalition.com/movie-trailer-ed...

ILoveUMan from Alex Manning on Vimeo. Welcome to another episode of the Art of the Frame podcast! This week Scott talks with Alex Manning about a rather interesting position in the industry, movie trailer editing. Alex has cut trailers across action, horror & comedy genres including for the films “Rise of the Planet of the [...]Read More... from Movie Trailer Editing with Alex Manning

VFX in the Volume: A Virtual New World On-Set

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https://postperspective.com/vfx-in-the-volume-a-vi...

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Grading Remotely: Color and More

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Pomann Sound: How Remote Recording Changed My Business

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By Bob Pomann Looking back, the idea of all-remote recordings all the time seemed an unlikely possibility. We had no clue what we were really in for. Only now, two years later, and not quite out of the pandemic, can I see the trajectory of how it happened. The world changed, and we learned to change with it. Continue reading → April 11, 2022 The post Pomann Sound: How Remote Recording Changed My Business appeared first on postPerspective.

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https://lesterbanks.com/2022/04/print-pack-lets-yo...

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