To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

WATCH: AWN-FuseFX VFX Artist Interview Series Part 2

April 7, 2021, 08:21 AM

https://www.awn.com/vfxworld/watch-awn-fusefx-vfx-...

AWN is pleased to share the second of a three-part video interview series with key artists from award-winning VFX studio FuseFX discussing the inner workings of some of your favorite shows, from Upload to 9-1-1: Lone Star, as well as strategies and realities of managing complex visual effects productions while working safely and remotely in the COVID-19 pandemic.

Visual Effects Society Awards 2021: ‘The Midnight Sky’ wins big at VES Awards

April 7, 2021, 08:21 AM

https://www.goldderby.com/article/2021/visual-effe...

The Visual Effects Society Awards were handed out during a virtual ceremony on Tuesday, April 6. “The Midnight Sky” won the VES equivalent of the Best Picture race – Best Visual Effects in a Photoreal Feature. It bested Oscar frontrunner “Tenet” in that category, as well as “Jingle Jangle: A Christmas Journey,” “Project Power” and “The Witches.” George Clooney‘s sci-fi drama won an additional prize for Best Model in a Photoreal of Animated Project. Scroll down for a compl...

#visual effects#george clooney
19th Annual VES Awards: The Winners

April 7, 2021, 08:20 AM

https://www.artofvfx.com/19th-annual-ves-awards-th...

The Visual Effects Society has announced the winners for the 19th Annual VES Awards!

#awards#ves
Autodesk Releases Maya, 3ds Max & MotionBuilder 2022

March 30, 2021, 09:20 AM

https://www.cgw.com/Press-Center/News/2021/Autodes...

Autodesk has unveiled updates to Maya, 3ds Max, and MotionBuilder, bringing new tools that accelerate and streamline artist workflows. Among these updates is the much-anticipated USD plugin for Maya.

#autodesk#maya#3ds max#motionbuilder
Cosmoball – Games: VFX Breakdown by Main Road Post

March 30, 2021, 08:59 AM

https://www.artofvfx.com/cosmoball-games-vfx-break...

Russian studio Main Road Post has released this VFX Breakdown about the Games sequences from the blockbuster sci-fi movie, Cosmoball...

#vfx#breakdown#games#cosmoball
THIS MIGHT JUST BE THE GREATEST VFX SHOT IN ‘WANDAVISION’

March 29, 2021, 08:47 AM

https://beforesandafters.com/2021/03/29/this-might...

It might not be the most technically complicated shot in WandaVision, but when this fun morph showing a young Billy and Tommy ‘growing’ into older versions of themselves, I have to say I let out a little shrill.

#vfx#wandavision
How WandaVision’s visual effects gave TV magic a Marvel makeover

March 28, 2021, 12:36 PM

https://www.digitaltrends.com/movies/wandavision-v...

There was a lot of pressure on Marvel’s WandaVision when it premiered in January following a year without any movies or series set in the Marvel Cinematic Universe. The show delivered on those high expectations, though, with one of Marvel’s most unique projects to date.

#vfx#marvel#wandavision
WandaVision: Ralph Maiers – VFX Supervisor – Mr. X

March 27, 2021, 10:02 AM

https://www.artofvfx.com/wandavision-ralph-maiers-...

Ralph Maiers has been working in visual effects for over 25 years. He has worked on many shows including Night at the Museum: Secret of the Tomb, Crouching Tiger, Hidden Dragon: Sword of Destiny, Altered Carbon and Lost in Space.

#wandavision#vfx supervisor#mr x#ralph maiers
Snowpiercer – Season 2: Damien Thaller – VFX Supervisor – FuseFX

March 26, 2021, 08:40 AM

https://www.artofvfx.com/snowpiercer-season-2-dami...

Damien Thaller has over 20 years of experience in visual effects. He has worked in many studios like ILM, Rising Sun Pictures, Image Engine before joining FuseFX in 2020. He has worked on projects such as Logan, Lost in Space, Fantastic Beasts: The Crimes of Grindelwald and Game of Thrones.

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