To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Lighting Pixar's The Incredibles Part 1

December 11, 2013, 05:47 PM

http://floobynooby.blogspot.ca/2013/12/the-cinemat...

Here is Part 1 of 3 on a case study of the shot compositions from Pixar's film "The Incredibles, I'll go over how the relationships of all the visual elements on screen were meticulously crafted to form a point focus in every shot. It is through the arrangement and control of all the elements on screen that the filmmakers were able to guide the sight, thoughts and emotions of the audience. All images used here are ©Disney/Pixar (unless otherwise stated).

The Lighting of Pixar's "The Incredibles"

December 11, 2013, 10:39 AM

http://bryoncaldwell.blogspot.ca/2013/12/the-cinem...

There's a nice breakdown of the cinematography of The Incredibles over on the FloobyNooby blog. It's worth a look!

Artist David Lewandowski has some fun with ‘Late

December 10, 2013, 05:35 AM

http://postperspective.com/2013/12/artist-david-le...

LOS ANGELES — David Lewandowski is an LA-based, director and animation artist, whose work includes the animated graphics and opening title sequence for Tron:Legacy, as well as the animated graphics for Oblivion. He also recently created many of the animations and visual effects on the surreal Tiny Tortures video, starring Elijah Wood. In late October, Lewandowski released the short film Late for Meeting (http://www.dlew.me/late-for-meeting), which is […]

Dave Basulto iOgrapher

December 8, 2013, 08:00 AM

https://www.aotg.com/dave-basulto-iographer/

iOgrapher: Students love to make videos. Dave Basulto, a media arts and animation instructor at San Marino High School in CA knows this first hand. David, with some design input from his students...

VFX Awards Candidates

December 8, 2013, 07:58 AM

http://animationguildblog.blogspot.ca/2013/12/visu...

Overlooked the early effects hopefuls for the Little Gold Man, but better to post them now than not at all...

Trimming Back

December 6, 2013, 10:22 PM

http://animationguildblog.blogspot.ca/2013/12/trim...

The thoughts and observations of the leaders of The Animation Guild (TAG), Local 839 IATSE. Steve Hulett is the Business Representative, Nathan Loofbourrow is the President, Steve Kaplan is the Organizer.

NFB Makes Call for Entries for McLaren Celebration

December 6, 2013, 01:45 PM

http://www.awn.com/news/people/nfb-makes-call-entr...

To celebrate what would have been Norman McLaren’s 100th birthday in 2014, the National Film Board of Canada and the Quartier des Spectacles Partnership are inviting artists from around the world to respond to a call for projects entitled McLaren

Cave Painting Progression

December 6, 2013, 11:23 AM

http://animatorsresource.blogspot.ca/2013/12/the-c...

Great progression of a sequence in The Croods by Dreamworks. Always good to see a breakdown of the process.

Transitions

December 5, 2013, 01:50 PM

http://animationguildblog.blogspot.ca/2013/12/tran...

Nathan Loofbourrow, TAG's Vice-President, took the reins as President from outgoing Prez Bob Foster (who steps back onto the board.) New board members Rusell Calabrese, Bill Flores, Robert St. Pierre enter, while board members John Cataldi, Mike Roth, Chris Simmons and Eugene Son departed. Long-time Sergeant at Arms Jan Browning also stepped down. ...

Boris TV, Episode 186: Animated Movie Titles in Mo

December 5, 2013, 05:46 AM

http://www.borisfx.com/borisfxnews/2013/12/05/bori...

The opening title of Disney’s Aladdin gets a modern makeover using BCC 8 in Motion 5. Kevin P. McAuliffe gives you a step-by-step tutorial on how he created the look, including building the background with the help of BCC Lens … Continue reading →

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