It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 25, 2011, 06:39 PM
https://www.aotg.com/part-1-splice-post-team-discussing-their-process/
Michele Conroy and the Post team of the film Splice discuss their editing process, workflow and approach to integrating effects.
July 25, 2011, 02:51 PM
https://www.aotg.com/cairo-time-editor-speaks-about-her-process/
Editor Teresa Hannigan talks about the process of editing Cairo Time with Director Ruba Nadda and D.O.P. Luc Montpellier. Learn the importance of working as a team especially when on a world wide production.
July 25, 2011, 02:42 PM
https://www.aotg.com/district-9-editor-julian-clarke-talk-part-1/
Julian Clarke, editor of District 9 discusses his work and approach to cutting District 9. This is a part of the Canadian Cinema Editors screening and discussion events they put on in Toronto, Canada.
July 25, 2011, 02:39 PM
https://www.aotg.com/district-9-editor-julian-clarke-talk-part-2/
Julian Clarke, editor of District 9 discusses his work and approach to cutting District 9. This is a part of the Canadian Cinema Editors screening and discussion events they put on in Toronto, Canada.
July 25, 2011, 02:38 PM
https://www.aotg.com/district-9-editor-julian-clarke-talk-part-3/
Part 3 of Julian Clarke's discussion. Julian Clarke, editor of District 9 discusses his work and approach to cutting District 9. This is a part of the Canadian Cinema Editors screening and discussion events they put on in Toronto, Canada.
July 23, 2011, 08:43 PM
https://www.aotg.com/nick-swinglehursts-presentation-on-film-edit/
Nick's practice run, with closer views of the presentation
June 28, 2011, 01:39 PM
https://www.aotg.com/what-is-a-rhythm/
Karen Pearlman, author of Cutting Rhythms, explains what this term means as well as delves into the world of editing.
June 23, 2011, 03:14 PM
http://www.sensesofcinema.com/2011/feature-article...
No editor won an Academy Award for cutting a King Vidor film, yet bravura editing distinguishes all of his best films, from The Crowd (1928) to Our Daily Bread (1934), from Hallelujah! (1929) to Duel in the Sun (1946).
June 19, 2011, 12:25 PM
http://editorunderconstruction.blogspot.com/2011/0...
The importance of Editing and Godard's ideas about this are exposed, ejemplificndo some excerpts from his films, this conference held per Bamchade Pourvali, who has done a thesis on the trial in the cinema. (In French)
June 16, 2011, 04:46 PM
http://www.freshdv.com/2011/06/the-language-of-sho...
Years ago I became fascinated with the subtle underscore and nuance you could add to a scene simply by your shot composition. I know most of this is pretty straightforward, but I wanted to take some time to lay out a few basics of visual language as it applies to shot composition and lens choice.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.