To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Platonic Epistemology and Editing

May 29, 2011, 02:36 PM

http://www.handcutfilms.com/editing/platonic-epist...

how an idea an old guy named Plato had relates to my chosen path as a film editor

Editing Snacks: What do you eat in the suite?

May 25, 2011, 11:06 AM

http://bit.ly/editingsnacks

For me, most editing days there just isn’t enough time to run out of the shop to grab food. Here’s a list of my favorite editing snacks without using the office microwave. :)

8 Frame Dissolve

May 19, 2011, 12:51 AM

http://www.8framedissolve.com

Life and Media. In Transition. Tech reviews and insightful commentary on editing and the media industry. Editor-in-chief is Jason Konoza, based in Edmonton, Canada.

R.I.P. my friend, actor/filmmaker, Larry Holden

May 13, 2011, 06:00 PM

http://theeditdoctor.tumblr.com/post/5460227914/la...

Most known for Chris Nolan films, Larry turned to small budget filmmaking 10 years ago...

Karen Pearlman on Non Visible Edits

April 28, 2011, 11:35 AM

https://www.aotg.com/karen-pearlman-on-non-visible-edits/

Karen Pearlman examines some of her theories of editing from her book Cutting Rhythms.

Karen Pearlman on Theories for Editing Rhythms

April 22, 2011, 10:00 AM

https://www.aotg.com/karen-pearlman-on-theories-for-editing-rhythms/

Karen Pearlman discuss Rhythmic Patterns in editing. This is part of Karen's theories she developed and examined in her book Editing Rhythms.

Karen Pearlman discusses her theory of Timing

April 14, 2011, 11:46 AM

https://www.aotg.com/karen-pearlman-discusses-her-theory-of-timing/

In this video Karen Pearlman discusses her theories on Timing from her book Cutting Rythms.

Rhythm Methods

April 7, 2011, 10:02 AM

http://www.spikemagazine.com/rhythm-methods-the-ph...

As much as we love contemporary dance – Siobhan Davies, Wayne McGregor, Liz Aggiss, and others, it isn't covered by Spike's remit. We do, however, write about film and can bend the rules for The Physical TV Company. Formed in 1997, by Dr Karen Pearlman and Dr Richard James Allen, the Australian-based outfit has focused on dance film. Although their motto is "stories told by the body", Physical TV has an increasing interest in transmedia and mixed reality. It's an exciting proposition.

What IS "Best Editing?"

March 17, 2011, 02:43 PM

http://theeditdoctor.tumblr.com/post/3907275258/wh...

Best costumes? Sure. Best Visual Effects. Right, got it. Heck, there can even be a BEST COSTUMES or BEST VISUAL EFFECTS winner for a film that hasn’t even a chance at a BEST PICTURE award... What does "Best Editing" mean exactly?

Ivan the Terrible Parts I and II

March 14, 2011, 07:09 AM

http://www.sensesofcinema.com/2011/cteq/ivan-the-t...

By the time Sergei Eisenstein completed Ivan Groznyy (Ivan the Terrible Part I) in 1944, the widespread experimentalism that had characterised the Soviet arts of the 1920s was a distant, long-suppressed memory. The Soviet Union of the 1920s represented a rare historical instance in which a state openly supported avant-garde art as a force for socio-political change, having fostered futurist and constructivist movements that dexterously combined anarchist sentiment with the pressing Bolshevik...

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