It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 13, 2013, 06:25 PM
http://digital.eca.ed.ac.uk/whatissounddesign/
The University of Edinburgh invites sonic artists, musicians, designers, scientists, engineers, theorists, composers, improvisers, performers, theatre sound specialists, directors, film makers, computer-games players and developers, graphic designers, historians, technologists, archaeologists, architects, acousticians, geographers and industrial designers to this three-day symposium.
October 13, 2013, 08:13 AM
http://designingsound.org/2013/10/designing-sound-...
Our second acoustics webinar, focusing on room treatments this time, with Dennis Foley of Acoustic Fields. Ask questions through Twitter using the hashtag #dsdgroom, post them directly to our Facebook page, or ask using the comments section at the bottom of this post. We’ll handle Q/A at the end of the presentation.
October 13, 2013, 08:12 AM
http://filmmakeriq.com/2013/10/find-the-source-of-...
Ever go to record some audio and discover there is an annoying hum or buzz in the background? Well krotoflik may have an interesting solution for you on how to locate the source of that hum in the room you are recording from!
October 11, 2013, 11:52 AM
http://postperspective.com/2013/10/uk-based-audio-...
LOS ANGELES— London-based Audio Network (www.audionetwork.com), an international music company specializing in music for television, film and video, has opened an office in Los Angeles, which will be headed up by Cheryl Frohlich, head of business development at Audio Network US. The new office will enable Audio Network reach a broader customer base on the West […]
October 11, 2013, 08:51 AM
http://www.theverge.com/2013/10/10/4822482/the-sou...
3D and IMAX may receive top billing, but the secret weapon of Alfonso Cuarón’s Gravity is something the audience will never even see. From the sound design to the score, Gravity features one of...
October 9, 2013, 09:18 AM
http://postperspective.com/2013/10/todd-soundelux-...
SANTA MONICA — Todd-Soundelux (http://www.toddsoundelux.com) has added re-recording mixer Kevin O’Connell to its staff. Based at Todd-AO’s facility at the Lantana Center in Santa Monica, O’Connell, who has been nominated for 20 Academy Awards, will combine his role as re-recording mixer with a senior-level creative position, providing oversight on issues related to feature film business […]
October 8, 2013, 07:35 PM
http://news.creativecow.net/story/873121
--Second U.S. facility complements New York Office--
October 8, 2013, 09:57 AM
http://www.indiewire.com/article/watch-the-sound-o...
Talk about surround sound! The Dolby Atmos system, which allows filmmakers to "move" specific sounds anywhere in the theater, helped create the fully immersive aural experience of space in "Gravity." Director Alfonso Cuaron and Re-recording Mixer Skip Lievsay talk about the "Gravity" sound team's effort to create a dramatic sound scape to emulate space in this SoundWorks Collection video.
October 8, 2013, 09:56 AM
http://broadcastengineering.com/audio-t-amp-m/aes-...
The AES67-2013 standard for streaming audio has now been published, and the upcoming AES Convention (Thursday, Oct.17, through Sunday, Oct. 20, at the Javits Center in New York City) will have a number of seminars dealing with networked audio.
October 8, 2013, 04:36 AM
http://www.pro-tools-expert.com/home-page/2013/10/...
So I’m currently working on post for a short film and was using RX-2 in the audiosuite mode in PT10 to help attenuate a pop in the production audio. I highlighted the problem area and played it back to discover that the particular...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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