It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 1, 2022, 08:44 AM
https://beforesandafters.com/2022/02/01/its-a-stra...
The scene of Ralph Fiennes using goats to help climb a mountain in ‘The King’s Man’ was worked out first by stunts and previs.
January 28, 2022, 08:49 AM
https://lesterbanks.com/2022/01/how-to-quickly-cre...
Lee Griggs shows how to create object ID masks with Arnold in Cinema 4D. Suppose you need to generate object masks for compositing from Arnold Render. In that case, this new quick tip tutorial from Arnold Rendering
January 26, 2022, 08:53 AM
https://www.slashfilm.com/746676/shang-chi-vfx-tea...
"Shang-Chi and the Legend of the Ten Rings" almost feels like several movies smashed into one, a statement that reflects the complicated comic book history of the character just as much as it accurately portrays the sheer scope and scale of the visual effects on display. At any given point in the film, viewers can expect to see sweeping battlefield vistas in the epic prologue that kicks off the action, a breathtaking scaffold fight that just might stand out as one of Marvel's most effective and ...
January 25, 2022, 08:55 AM
https://lesterbanks.com/2022/01/how-to-stick-geome...
Kate Xagoraris shares some techniques for sticking geometry onto deforming objects in Houdini. Often when you have animated deforming stuff in Houdini, like a character, things like sims, some textures, or other objects won’t follow
January 22, 2022, 10:54 AM
https://lesterbanks.com/2022/01/how-to-make-a-marq...
Johnny Matthews shows how to make a procedural “marquee sign” maker with a frame and lights that follow its shape. This new tutorial from Johnny Matthews covers working with BlenderGeometry Nodes to create a classic
January 21, 2022, 08:41 AM
https://lesterbanks.com/2022/01/how-to-use-photogr...
On Mars 3D shows how you can use Photogrammetry to help with understanding topology. This new tutorial from 3D Art Lead Aunmar Mohammed (On Mars 3D) shows how you can use Photogrammetry to sharpen your
January 19, 2022, 08:53 AM
https://lesterbanks.com/2022/01/fast-houdini-disin...
Liam Clisham shows how you can get motion graphics like PolyFX disintegration effect with Houdini. This new tutorial from Five31 Liam Clisham shows how easy it is to get a mograph style disintegration effect, like the kind
January 19, 2022, 08:52 AM
https://www.slashfilm.com/737021/the-morning-watch...
In this edition, see how the storyboards for Pixar's existential comedy "Soul" compare to the final cut of the animated movie. Plus, take a look at the action from the fourth season of "Cobra Kai" with a peek behind the scenes of production. And finally, watch as Andrew Garfield and Dakota Johnson reunite 11 years after both appearing in David Fincher's "The Social Network."
January 17, 2022, 09:35 AM
https://www.skwigly.co.uk/aardman-reveals-fresh-fa...
The multi-award-winning independent animation studio Aardman has today (Monday 17th January) launched a new visual identity, including an updated logo, to celebrate the company’s legacy, its future, and the team behind its work – from development and production to the operations, sales and marketing teams that all play a vital role in the studio’s success.
January 14, 2022, 08:28 AM
https://www.awn.com/news/2022-bafta-longlists-rele...
BAFTA revealed its longlists for the 2022 EE British Academy Film Awards. Round one voting from December 10, 2021, to January 4, 2022, produced the longlists in all categories.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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