It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 24, 2022, 08:22 AM
https://www.awn.com/news/vfx-post-talent-agency-ad...
The VFX & Post Talent Agency has announced the addition of six VFX supervisors to its talent roster. They include Simon Giles (Dangerous Liaisons / Playground Entertainment); Taylor Tulip-Close (The Pentaverate / Netflix); Sean Stranks (Famous Last Words / Miramax); Kev Cahill (Apartment 7A / Paramount); Neil Riley (Kaos / Sister Pictures); and Jean-Louis Autret (Around the World in 80 Days / BBC).
March 24, 2022, 08:21 AM
https://www.artofvfx.com/hawkeye-vfx-breakdown-by-...
Interested to discover invisible work and city environment creation? Then be sure to watch this really cool VFX Breakdown by RISE showing their work on the Marvel Studios series, Hawkeye!
March 22, 2022, 08:40 AM
https://beforesandafters.com/2022/03/22/vfx-future...
The new HBO Max show Our Flag Means Death required a number of scenes to be set on a pirate ship on the ocean. Ultimately, the sequences were realized with actors on a partial ship build on a soundstage against a 30 foot by 160 foot LED wall. Projected onto the wall were stitched-together ocean plates crafted by Stargate Studios, headed up by Sam Nicholson.
March 22, 2022, 08:40 AM
https://beforesandafters.com/2022/03/22/watch-dneg...
Showcasing environment extensions and more.
March 22, 2022, 08:40 AM
https://www.artofvfx.com/locke-and-key-season-2-vf...
Let’s discover the work made by the teams of El Ranchito on the second season of Locke & Key...
March 20, 2022, 03:15 PM
https://www.youtube.com/watch?v=DdhLBZpIq2c
"Tom Holland does a ton of his own stunts." Kelly Port, the Visual Effects Supervisor for 'Spider-Man: No Way Home,' gives his in-depth analysis and insider's look at the CGI and VFX in the scenes leading up to Doctor Octopus's introduction during the "bridge fight."
March 18, 2022, 08:34 AM
https://postperspective.com/spider-man-no-way-home...
By Iain Blair The last time a Spider-Man film got any Oscar love in the visual effects category was in 2004 with Spider-Man 2, but all that has changed with the recent Spider-Man: No Way Home. The Oscar-nominated VFX team on director Jon Watts’ Spider-Man: No Way Home was led by Kelly Port, Continue reading → March 17, 2022 The post Spider-Man: No Way Home‘s Oscar-Nominated VFX Supervisor appeared first on postPerspective.
March 18, 2022, 08:33 AM
https://variety.com/2022/film/news/spider-man-no-w...
“Spider-Man : No Way Home” entangles Peter Parker (Tom Holland) in a “multiverse of madness” that culminates in a climactic battle at night atop the Statue of Liberty where web slingers from past franchises, played by Tobey Maguire and Andrew Garfield, face familiar villainous foes. The friendly neighborhood crime fighters required updated costume designs and an intricate web of visual effects that included the creation of full digital doubles to bring the historic moment to life.
March 18, 2022, 08:33 AM
https://variety.com/2022/film/artists/dune-vfx-sup...
Denis Villenuve’s “Dune” is a visceral epic, propelled by practical and visual effects that shape the destiny of Paul Atreides (Timothée Chalamet) following a vengeful plot that kills his father, Leto (Oscar Isaac), on the spice-producing planet Arrakis.
March 16, 2022, 08:33 AM
https://www.artofvfx.com/spider-man-no-way-home-di...
Don’t miss this interesting video by BBC Click featuring VFX Supervisor Scott Edelstein talking about the work of Digital Domain (the impressive sequence on the freeway) for Spider-Man: No Way Home!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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