To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Star Trek Discovery - Season 3: VFX Breakdown

February 9, 2021, 06:09 PM

https://www.artofvfx.com/star-trek-discovery-seaso...

Let’s discover a tour through the galaxy with Mackevision showing their work on the third season of Star Trek Discovery...

Episode 285 — Beeple — Mike Winkelmann

February 9, 2021, 01:51 PM

https://www.allanmckay.com/285/

Beeple is Mike Winkelmann, a graphic designer from Charleston, SC, USA who does a variety of digital artwork including short films, Creative Commons VJ loops, everydays and VR / AR work.

Will Real-Time Digital Sets Replace Green Screens?

February 9, 2021, 01:49 PM

https://www.premiumbeat.com/blog/realtime-digital-...

Disney, Netflix, Amazon, Paramount, and more are betting big on digital sets, Volumes, and digital set extensions. Let's take a look.

How The Mill helped craft Doritos’ Super Bowl sp

February 9, 2021, 01:49 PM

https://www.themill.com/stories/befores-afters-how...

Head behind the scenes of Doritos’ latest spot 'Flat Matthew' which features actor Matthew McConaughey and VFX from The Mill.

Framestore VFX Work Shines on BAFTA Longlist

February 5, 2021, 01:42 PM

https://www.cgw.com/Press-Center/News/2021/Framest...

Framestore has four films featuring its work on the BAFTA longlist for the Special Visual Effects award. They are: The Midnight Sky, Mulan. The Secret Garden and Wonder Woman 1984.

Maintenance Release for Magic Bullet Suite

February 5, 2021, 01:42 PM

https://www.redgiant.com/blog/2021/02/04/maintenan...

In November, we announced all the exciting new features of Magic Bullet Suite 14, our collection of tools for color correction, finishing and film looks. Unfortunately, the initial release did not support MacOS Big Sur or Final Cut Pro for the updated tools: Looks 5, Colorista V, and Denoiser III. Today, Maxon is proud to announce the immediate availability of a maintenance release that brings this support back.

Moving Target Creates Land's VFX with Fusion

February 4, 2021, 06:04 PM

https://www.aotg.com/moving-target-creates-lands-vfx-with-fusion/

Blackmagic Design today announced that Los Angeles based visual effects (VFX) company Moving Target used Fusion Studio VFX and motion graphics software on the new feature film “Land.”

#blackmagic design#fusion studio#davinci resolve studio
How David Fincher Directed the CG Animals in Hears

February 4, 2021, 02:06 PM

https://www.indiewire.com/2021/02/mank-vfx-david-f...

While the “Mank” visual effects team meticulously recreated ’30s-era LA in black-and-white (utilizing the matte paintings of Artemple, Territory’s LED rear screen projection, and Savage’s sky replacement with the Unreal engine), David Fincher took a special interest in directing the photo-real CG animals from Industrial Light & Magic that inhabit the Hearst Castle private zoo.

VFX Supervisor Adam Lambert on the spot that opene

February 2, 2021, 05:05 PM

https://www.themill.com/stories/makers-at-heart-vf...

As the creative engine room of the world’s biggest brands we are driven by one purpose: to solve our client’s toughest briefs beautifully. Our Makers believe in the power of cooperation and partnership to deliver ambitious ideas to that break new ground and deliver awe-inspiring creative work.

Bunnies, planes and blood stains: the VFX of 'The

February 2, 2021, 01:13 PM

https://beforesandafters.com/2021/02/02/bunnies-pl...

The HBO Max series The Flight Attendant probably as a lot more visual effects in it than you think.

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