To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colorist Chat: AFX Creative Colorist Derek Hansen

April 1, 2022, 09:11 AM

https://postperspective.com/colorist-chat-afx-crea...

Derek Hansen is a colorist at Santa Monica-based AFX Creative, a creative studio delivering post services for the advertising and entertainment industries. They provide VFX, motion design and color grading services. As a colorist, what would surprise people the most about what falls under that title? What usually surprises people most about what colorists do would probably have to be the editorial side of things. Continue reading → March 31, 2022 The post Colorist Chat: AFX Creative Colorist D...

Working With MinPos Function in Houdini VEX

April 1, 2022, 09:11 AM

https://lesterbanks.com/2022/03/working-with-minpo...

Stormz shows how to find the closest position using the MinPos function in VEX. This new Houdini tutorial from Stormz shows how you can use the MinPos function in VEX to find the closest position on any

After Effects Roundup March 2022

April 1, 2022, 09:10 AM

https://www.provideocoalition.com/after-effects-ro...

NAB is coming soon, so everyone is expecting spring milestones for Creative Cloud apps…   NAB Mograph Meetup 2022 is returning on Sunday, April 24, 2022. This event is free to attend, but you must RSVP in advance. SuperMeetup! 2022 is also returning, set for Monday, April 25th, 7pm-11pm. It costs $15 but the raffle [...]Read More... from After Effects Roundup March 2022

With AI involved, can we rely on images ever again?

April 1, 2022, 09:10 AM

https://www.redsharknews.com/with-ai-involved-can-...

Phil Rhodes' article this week about how inappropriate compression can damage the credibility of video evidence is just the tip of an iceberg. The reality is that modern AI-based video technology is pushing the limits of our ability to tell the truth from fiction.

Billboard Women in Music Awards Captured with URSA Broadcast G2 Cameras

March 31, 2022, 02:28 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that the 2022 Billboard Women in Music Awards was captured with Blackmagic URSA Broadcast G2 cameras. California and Nevada based production company Hollywood Motion Picture Experience (HMPE) supplied a 4K and 12G workflow supported by the cameras and additional Blackmagic Design gear for the live broadcast, which was also live streamed via Twitter.

#blackmagic design#davinci resolve mini panel#smart videohub 12g 40x40#ursa mini pro 4.6k g2#atem camera control panel#ursa broadcast g2#blackmagic camera fiber converter#blackmagic studio fiber converter#atem constellation 8k#atem 4 m/e advanced panel#hyperdeck studio 4k pro
How to Create Masks in Adobe Premiere Pro

March 31, 2022, 08:24 AM

https://www.premiumbeat.com/blog/creating-masks-in...

Need to create an image mask for color grades, special effects, or other applications? You can do so directly in Adobe Premiere Pro.

SanDisk’s USB Type-C drive for iPhone and Android

March 31, 2022, 08:24 AM

https://www.provideocoalition.com/sandisks-usb-typ...

Unless you’ve a smartphone with lots of storage space, a trouble free way to transfer files and free space is a welcome solution, even more so when it is compatible with iPhone and Android. As modern smartphones tend to not offer microSD slots as storage expansion, photographers and videographers have two options: buy the smartphone [...]Read More... from SanDisk’s USB Type-C drive for iPhone and Android

How to Animate Gradient Stroke Type in After Effects

March 31, 2022, 08:24 AM

https://lesterbanks.com/2022/03/how-to-animate-gra...

Move Shapes shows how to create a write-on effect using gradient strokes in Ae. This new tutorial from the Move Shapes channel (Peter Arumugam) walks through how to create a nice-looking gradient stroke in After

Remove Objects from a Video with One Brush Stroke?

March 31, 2022, 08:24 AM

https://www.premiumbeat.com/blog/remove-objects-fr...

In this tutorial, I'm testing out a tool that claims to make objects magically vanish with the simple stroke of a brush.

A Quiet Place Part II: Skywalker’s Brandon Proctor on Sound and Silence

March 31, 2022, 08:24 AM

https://postperspective.com/a-quiet-place-2s-sound...

By Patrick Birk With our 2022 Oscar coverage now behind us, we took the opportunity to look back at the film A Quiet Place Part II, and the line the sound team had to walk to ramp up the horror. Director John Krasinski’s follow-up to 2019’s A Quiet Place Continue reading → March 30, 2022 was nominated for a BAFTA this year in the Sound category. The post A Quiet Place Part II: Skywalker’s Brandon Proctor on Sound and Silence appeared first on postPerspective.

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