It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 24, 2021, 04:36 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The Visual Effects Society (VES) has announced its 2021 board of directors officers. The officers, who comprise the VES Board Executive Committee, were elected at the January 2021 board meeting and include Lisa Cooke, who was elected board chair, making her the first woman to hold this role in the Society’s history. The five officers embody the global makeup up the Society, coming from sections in the United States, New Zealand and London.
January 22, 2021, 01:29 PM
https://beforesandafters.com/2021/01/22/watch-this...
FEATURING SYNTHETIC SHIPS AND SUBS AND A CG OCEAN FROM DNEG.
January 22, 2021, 01:29 PM
https://www.awn.com/news/visual-effects-society-an...
Lisa Cooke was named board chair and is the first woman elected to lead the organization; other officers include Emma Clifton Perry, David Tanka, Jeffrey Okun, and Gavin Graham.
January 21, 2021, 12:30 PM
https://www.animationmagazine.net/vfx/playing-the-...
Filmmaker Paul W.S. Anderson extends his relationship with Japanese video game publisher Capcom beyond the Resident Evil franchise with the new action-packed sci-fi movie Monster Hunter. Partnering with Anderson on this year-end thrill ride are producers Jeremy Bolt and Dennis Berardi, who also serves as the visual effects supervisor on the cinematic adaptation.
January 21, 2021, 12:30 PM
https://beforesandafters.com/2021/01/21/go-even-mo...
In this fun exploration featuring Rodeo FX’s animation supervisor Yvon Jardel, the studio breaks down the Tom/Bruce monster they worked on for season 3 of Stranger Things.
January 21, 2021, 12:29 PM
https://www.artofvfx.com/his-dark-materials-season...
Russell Dodgson has been working at Framestore for over 10 years and before taking care of the visual effects of the His Dark Materials series, he worked on projects such as Harry Potter and the Deathly Hallows: Part 1, Black Mirror and Mars.
January 21, 2021, 12:29 PM
https://postperspective.com/nycs-preymaker-adds-vf...
NYC’s Preymaker, a creative and technology studio launched last fall by industry leaders Angus Kneale, Melanie Wickham and Verity Grantham, has added VFX artist Ruben Vandebroek to its team. Vandebroek brings experience that combines creative and technical expertise in CGI and emerging technology. Vandebroek will be a leading creative and technical force at Preymaker with a wide remit, Continue reading → January 20, 2021 The post NYC’s Preymaker Adds VFX Artist Ruben Vandebroek appe...
January 20, 2021, 01:33 PM
https://www.awn.com/news/egg-vfx-names-aled-rhys-j...
EGG VFX has named Aled Rhys Jones as new head of department. During the challenges of the 2020 COVID pandemic, the company’s team of 12 artists worked through two lockdowns in conjunction with Milk VFX in London and delivered over 400 shots in less than 27 weeks for Intergalactic (Sky, TX Q2 2021). The team also delivered over 150 shots for The Christmas Waltz, which was the 2nd highest rated cable broadcast in the US over the Christmas period. Jones’ leadership was a key factor in both proj...
January 19, 2021, 01:48 PM
https://www.allanmckay.com/282/
Most of us initially set small goals that we find socially acceptable. We’re too afraid to set bigger goals, or we don’t have them anymore because we find them to be impossible. The goals that we do say outloud are the ones that we find socially acceptable, without being laughed at. And that sucks! We’re afraid to dream big or to dream what we aspire to be. And it’s not because we decided that we weren’t good enough.
January 15, 2021, 05:15 PM
https://www.aotg.com/vfx-legion-creates-200-effect-for-black-box/
VFX Legion crafted the visual effects for 'Black Box,' one of the series of films in the ‘Welcome to Blumhouse’ anthology that tapped the company's end-to-end services. The thematically connected package marks Amazon’s first-ever global direct to services deal.
#vfx#compositing#vfx legion#matte painting#compositing cg environmentsDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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