To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Blackmagic Design Cameras and Gear Used on 2022 Oscar® Nominated Films
March 21, 2022, 02:08 PM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design congratulates the production and post professionals whose creativity helped bring the 2022 Oscar® nominated films to audiences around the globe. Blackmagic Design’s Pocket Cinema Camera line of digital film cameras, DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software, and more were used on a variety of the films nominated for the 94th Academy Awards, such as “The Power of the Dog,” “Belfast” and “Spider-Man™: No ...
#blackmagic design#oscars#ultrastudio 4k#davinci resolve studio#davinci resolve micro panel#davinci resolve mini panel#decklink 4k extreme 12g#pocket cinema camera 4k#atem mini#decklink mini recorder#mini converter sdi to audioStoryboard Composition — A Guide to Layout, Format, Framing
March 21, 2022, 08:34 AM
https://www.studiobinder.com/?p=119726
Dupe Detection is coming to Final Cut Pro and this is how it works
March 21, 2022, 08:34 AM
https://www.provideocoalition.com/dupe-detection-i...
The recent release of the Mac Studio has everyone in the video editing world wondering about Final Cut Pro, when and where we might get an update. Other Apple Pro Apps got an update but Final Cut Pro was conspicuously absent over the last week of the big Mac Studio launch. But it wasn’t all [...]Read More... from Dupe Detection is coming to Final Cut Pro and this is how it works
Avid NEXIS EDGE Remote Editing Made Easy
March 21, 2022, 08:34 AM
https://www.cined.com/avid-nexis-edge-remote-editi...
Avid Technology is aiming to make remote editing easier with the release of Avid NEXIS | EDGE. This new solution automates a proxy workflow that allows editors and producers to access media from anywhere. And it isn’t just for Media Composer, it works with Premiere and Google Chrome, too. Let’s have a look at what they’ve cooked up!
Editor Janus Billeskov Jansen Explains His Role In
March 21, 2022, 08:34 AM
https://www.cartoonbrew.com/feature-film/editor-ja...
Flee, an animated feature film by Jonas Poher Rasmussen, is about a man (Amir) recounting his experience being forced to flee Afghanistan while also struggling with his sexuality. The film is a fascinating and poignant work that fuses documentary, animation, and archival footage over very distinct segments that shift between Amir’s present as he recounts his story to a friend and the recreation of Amir’s past experiences.
How Spiderman no way home VFXs Were Made
March 20, 2022, 03:15 PM
https://www.youtube.com/watch?v=DdhLBZpIq2c
"Tom Holland does a ton of his own stunts." Kelly Port, the Visual Effects Supervisor for 'Spider-Man: No Way Home,' gives his in-depth analysis and insider's look at the CGI and VFX in the scenes leading up to Doctor Octopus's introduction during the "bridge fight."
Analogue Wayback, Ep. 6
March 20, 2022, 03:15 PM
https://digitalfilms.wordpress.com/2022/03/20/anal...
This is the world’s most expensive stopwatch. There are few clients who truly qualify as “the client from Hell”. Clients have their own stresses that may be unseen or unknown to the editor. Nevertheless, some create extremely stressful edit sessions. I previously wrote about the color bar fiasco in Jacksonville. That client returned for numerous […]
Aardman appoints two to new roles
March 19, 2022, 12:42 PM
https://www.postmagazine.com/Press-Center/Daily-Ne...
BRISTOL, UK — Independent animation studio Aardman (www.aardman.com) has announced the appointments of Steven Shapiro and Harry Linden to the positions of chief technical officer and head of stop-frame production respectively - both newly-created roles. The studio recently received an Academy Award-nomination for its animated short, Robin Robin.
How to Quickly Reset Parameters in C4D
March 19, 2022, 12:41 PM
https://lesterbanks.com/2022/03/how-to-quickly-res...
Jonas Pilz shows how you can easily reset parameters back to defaults in C4D. There are more than a few ways to reset things back to how they were in Cinema 4D. This new quick
How to Animate Vellum Inflating With Houdini
March 19, 2022, 12:41 PM
https://lesterbanks.com/2022/03/how-to-animate-vel...
Nick Medukha shows how to create an object inflation animation in Houdini. This new tutorial from Nick Medukha covers a beginner’s guide to creating soft-body animation in Houdini using Vellum. The tutorial shows how to make objects inflate
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