To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Robin Blotnick on Editing the AOC Climate Doc To The End

March 18, 2022, 08:36 AM

https://postperspective.com/robin-blotnick-on-edit...

Filmmaker Robin Blotnick was editor on To The End, a documentary film that is a sort of a sequel to Knock Down the House. It follows Rep. Alexandria Ocasio-Cortez alongside three young leaders — Varshini Prakash of the Sunrise Movement, Alexandra Rojas of Justice Democrats and policy writer Rhiana Gunn-Wright — as they fight for a big, Continue reading → March 16, 2022 The post Robin Blotnick on Editing the AOC Climate Doc To The End appeared first on postPerspective.

Editor Zoey Peck joins LA's Ethos

March 18, 2022, 08:36 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

LOS ANGELES — Zoey Peck has joined the editorial team at Ethos (https://ethos.studio), bringing a range of experience working in the editorial, fashion and advertising worlds.

Modern Post promotes two staffers to editor roles

March 18, 2022, 08:36 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

NEW YORK CITY — Creative editing and post production studio Modern Post (https://modernpost.com) has announced the promotions of Danielle Schneiderman and Clay Doggett to editors. The studio provides creative editing and finishing for commercials, branded content and music videos, and specilizes in luxury advertising for the fashion and beauty industries.

Go Inside the Cutting Room of Peak TV’s Most Captivating and Compelling Drama Series - "Succession" on March 24th!

March 18, 2022, 08:35 AM

http://manhattaneditworkshop.blogspot.com/2022/03/...

Manhattan Edit Workshop’s “Sight, Sound & Story: Live” monthly online event series continues on March 24th with Inside the Cutting Room of “Succession” featuring Editors Ken Eluto, ACE, Bill Henry, ACE and Jane Rizzo with Author & Historian Bobbie O’Steen.Inside Episode XIX: This panel focuses on the tragicomic saga of a super rich and powerful family that has riveted HBO audiences for the past three seasons. Join Bobbie O'Steen for a discussion with three of the series masterful ed...

Review: Mac Studio and the M1 Ultra for video editors – part 1

March 18, 2022, 08:35 AM

https://www.provideocoalition.com/review-mac-studi...

For diehard Mac users, the Mac Studio might be the ultimate machine for a lot of what we do in editing and post-production. It’s small, stylish, quiet, loaded with connectivity and very powerful. You can pull the Mac Studio out of the over-engineered box, plug it in, plug things into it and then go to [...]Read More... from Review: Mac Studio and the M1 Ultra for video editors – part 1

How to Make a Custom Clip Geo Shader With Redshift

March 18, 2022, 08:35 AM

https://lesterbanks.com/2022/03/how-to-make-a-cust...

LFO design shows how to create a custom clip geo shader using Redshift. Both Arnold and V-Ray let you clip your objects are rendered time. Perfect for creating cutaways and animating objects appearing and disappearing.  This new

How to Animate a Plexus Effect With Blender

March 18, 2022, 08:34 AM

https://lesterbanks.com/2022/03/how-to-animate-a-p...

Nathan Duck shows how to make a plexus effect using geometry nodes in Blender. This new tutorial from Nathan Duck (Ducky 3D) uses some of the latest nodes in Blender 3.1 to create and animate a plexus effect.

Realtime Environment Systems Envisions Visual Spectacles that Delight with AJA KONA Cards

March 18, 2022, 08:34 AM

https://lappg.com/2022/03/17/realtime-environment-...

Commanding an audience’s attention is challenging in public settings, yet museums, art galleries, and event venues are breaking through the noise with technology-driven visual spectacles. Immersive art exhibits, as an example, have taken the world by storm in the last year, as droves of people have signed up to see the works of legendary artists … Realtime Environment Systems Envisions Visual Spectacles that Delight with AJA KONA Cards Read More »

How to Create a Custom Metahuman Face from Photogrammetry

March 18, 2022, 08:34 AM

https://lesterbanks.com/2022/03/how-to-create-a-cu...

Small Robot Studio shows the process for creating a custom MetaHuman face using 3D scanning. This new and extended tutorial from Small Robot Studio shows how to create a custom face for Unreal Metahumans using photogrammetry techniques.

Spider-Man: No Way Home‘s Oscar-Nominated VFX Supervisor

March 18, 2022, 08:34 AM

https://postperspective.com/spider-man-no-way-home...

By Iain Blair The last time a Spider-Man film got any Oscar love in the visual effects category was in 2004 with Spider-Man 2, but all that has changed with the recent Spider-Man: No Way Home. The Oscar-nominated VFX team on director Jon Watts’ Spider-Man: No Way Home was led by Kelly Port, Continue reading → March 17, 2022 The post Spider-Man: No Way Home‘s Oscar-Nominated VFX Supervisor appeared first on postPerspective.

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