It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 18, 2014, 05:40 AM
http://www.digitalartsonline.co.uk/news/motion-gra...
The production VFX producer and supervisor on the film, Dean Write and James E. Price, enlisted the help of Cinesite VFX supervisor Simon Stanley-Clamp and his team to perfect RoboCop's suit.
February 18, 2014, 05:39 AM
http://www.digitalartsonline.co.uk/news/motion-gra...
Despite the film being a flop, the visual effects have found acclaim. See how they were created.
February 18, 2014, 05:39 AM
http://events.creativecow.net/event/3422/smoke-201...
This two-day hands-on course focuses on advance compositing and visual effects. You will learn keying; color correction and tracking techniques that will help you achieve complex composites with professional results. As well you will create 3D scenes that take full advantage of Smoke's powerful 3D compositing environment and 3D tools. This course complements the Smoke 101 course.
February 17, 2014, 12:44 PM
http://vfxsoldier.wordpress.com/2014/02/17/gravity...
There was considerable discussion caused by my post on a Guardian article where Gravity’s Oscar Nominated VFX Supervisor Tim Webber was asked to comment on our demonstration for an end to VFX subsidies and why the “British VFX Talent is leading the world”...
February 17, 2014, 09:46 AM
http://postperspective.com/framestore-takes-home-v...
London — Framestore has been awarded its second Special Visual Effects BAFTA, for its work Alfonso Cuarón’s Gravity. The film was celebrated with numerous awards, including one for Cuaron for Best Director, and Emmanuel Lubezki who won Best Cinematography. Gravity also won Outstanding British Film, Best Original Music and Best Sound. “It has been a great year for film […]The post Framestore takes home VFX BAFTA for work on Gravity appeared first on postPerspective - Randi Alt...
February 17, 2014, 07:34 AM
http://music.tutsplus.com/articles/interview-with-...
I had the opportunity to chat with Tom Gilbert and David Johnston of Bristol sound design studio Echoic, who collaborated with Syndrome Studio to create the opening title and ident for Pause Fest 2014. Echoic are based in Bristol, and have an eclectic style that combines inventive processes and unusual instruments with a focus on collaboration between visual and sound design. | Tags: Sound Design, Logic Pro, Ableton Live
February 17, 2014, 07:32 AM
http://vfxsoldier.wordpress.com/2014/02/16/the-rea...
Over the weekend I passed by Hollywood blvd and took the photo above after it generated an odd thought: How is Gravity a British film? The story is about American astronauts. The director is Mexican. The lead actors are American. The film was produced by an American company. I didn't think much about it after…
February 17, 2014, 07:31 AM
http://www.artofvfx.com/?p=6061
BAFTA 2014: The Special Visual Effects award
February 16, 2014, 01:54 PM
https://www.aotg.com/cgi-vfx-breakdowns-4/
***BACK BY POPULAR DEMAND**** Check out this fantastic VFX Breakdown from the film "Kon-Tiki" by the incredibly talented team at Important Looking Pirates! T...
February 15, 2014, 08:24 AM
http://vfxsoldier.wordpress.com/2014/02/15/gravity...
After last year’s disgraceful presentation during the Oscars some of us in the VFX community we’re relieved to hear that the Academy would do a better job this year. Given that, my jaw dropped to the floor from what someone in our own community had to say about US vfx professionals.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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