To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

“Wolf of Wall Street” VFX Breakdown

January 29, 2014, 11:22 AM

https://www.aotg.com/wolf-of-wall-street-vfx-breakdown/

Scanline VFX presents a new VFX breakdown for their work on the yacht and helicopter scenes from Martin Scorsese’s The Wolf of Wall Street.

VFX Breakdowns: Iron man 3: House Attack Sequence

January 29, 2014, 11:21 AM

https://www.aotg.com/vfx-breakdowns-iron-man-3-house-attack-sequence/

Watch this very insightful VFX Breakdown of the "House Attack Sequence" in IRON MAN 3, by the talented team at Scanline VFX! For more information, please see...

Multimap Exporter for ZBrush

January 29, 2014, 11:15 AM

http://lesterbanks.com/2014/01/zbrush-multimap-exp...

The Max-Depth blog has been creating some great posts lately, and with this new one Timothy Hanson shows how you can make an already sculpted object in ZBrush a multi tile UV object, showing how to convert the object, and re-project the details, and use ZBrush’s Multi Map Exporter to create all the maps needed for Maya and rendering in V-ray.

The CG Elephant in the Old School Room

January 28, 2014, 01:46 PM

http://cinefex.com/blog/the-cg-elephant-in-the-old...

We’ve been hanging out together for a while now. I’ve said some things. You’ve answered back. We’ve drunk coffee, occasionally downed a few glasses of beer. I think we can call ourselves friends. But, if this relationship’s going to move forward, there’s a question we’ve got to get past.

Black Sails (2014)

January 28, 2014, 11:04 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Thieves come in many shapes.” — Captain Flint ...

Eye candy: Scanline VFX’s Iron Man 3 shot breakd

January 27, 2014, 11:16 AM

http://www.cgchannel.com/2014/01/eye-candy-scanlin...

Scanline VFX has posted an impressively detailed breakdown of some of the shots it worked on in Iron Man 3, including some of the movie’s showpiece sequences.

Her‘s Visual Effects Blur the Lines

January 27, 2014, 11:10 AM

http://www.btlnews.com/crafts/post-production/hers...

With the ubiquitous nature of the digital toolbox, smaller-budgeted films are now melding the previously separated crafts of production design, visual effects and picture editing. Case in point is the current sci-fi love story Her, in which all aforementioned skill areas were implemented in conjunction to fabricate the illusion of a vaguely futuristic Los Angeles. Longtime postproduction supervisor Peter Mavromates served as Her’s visual effects producer.

THE WOLF OF WALL STREET: VFX Breakdown

January 27, 2014, 05:58 AM

http://www.artofvfx.com/?p=5919

This VFX breakdown by Scanline VFX focus on their work on the storm sequence and the helicopter flight for THE WOLF OF WALL STREET...

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