To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Deluxe to Acquire Creative Services and Media Serv

December 1, 2010, 03:34 PM

http://www.studiodaily.com/main/news/12763.html

Deluxe Entertainment Services Group announced today that it has signed an agreement with Ascent Media Corporation to acquire Ascent's Creative Services and Media Services businesses, including the well-known brands of Company 3, Beast, Method, Rushes, Encore Hollywood and Level 3 Post....

Backup Reminder: December 2010

December 1, 2010, 03:32 PM

http://www.scottsimmons.tv/blog/2010/12/01/backup-...

Here’s a monthly reminder so if you haven’t backed up in a while, get to it.

Avatar/Weta Interview: The extra bits...

December 1, 2010, 11:46 AM

http://www.fxguide.com/qt/3225

James Cameron’s Avatar is now available as an Extended Collector’s Edition DVD and Blu-ray release. We take a look at the Blu-ray featurettes and talk to Weta Digital visual effects supervisor Wayne Stables, who was responsible for the incredible Tree of Souls sequence in the film.

Editing Tip: Motivated Editing

December 1, 2010, 11:43 AM

http://jeffvlog.wordpress.com/2010/11/30/editing-t...

Though it is the simplest way to transition from one shot to the next, making a natural-looking cut can be tricky. If you’re not careful, you could end up with a series of jump cuts which can be jarring to the viewer. The best way to make an otherwise obvious cut is to make a motivated edit.

Lightworks Goes Public — Beta, That Is

November 30, 2010, 05:20 PM

http://www.studiodaily.com/blog/?p=4909

It was a bit of a surprise back in April when NLE stalwart (at least for some) Lightworks announced that it would go open source. EditShare is the current owner of the Lightworks editing application, one of the original nonlinear editors that has cut a lot of feature films you may have seen. EditShare had a Lightworks demo set up in a back corner of their booth at NAB 2010.

Avid Pro Tools SE Bundles among Rolling Stone Mag

November 30, 2010, 05:12 PM

http://community.avid.com/blogs/buzz/archive/2010/...

Looking for cool gift ideas this holiday season? We’ve got you covered. Rolling Stone’s 2010 holiday gift guide is out, and we’re excited to share that the Avid Pro Tools SE Bundles—Avid Vocal Studio, Recording Studio and KeyStudio—appear on the publication’s list of "over 100 holiday gifts that will rock your stockings off."

Episode 15: Workflow vs Cutting

November 30, 2010, 12:05 PM

http://www.theterenceandphilipshow.com/2010/11/epi...

Terence and Philip discuss the importance of designing workflow as opposed to simply jumping in and cutting. How have the roles of Assistant changed. The inevitable sidetrack covers the role of "independent film" when so many get made but never return their investment, and what’s the better alternative. We also discuss the workflow for reality TV.

Chris Fenwick Chat on Monday

November 28, 2010, 12:16 PM

http://blogs.creativecow.net/blog/3860/chris-fenwi...

A really savvy editor I know will be hosting an online chat this Monday. He has been making the move from Final Cut Pro to Premiere Pro. Chris has lots of opinions... but they are very well informed. Here are the key details:

Best Film Editing — Volume II

November 27, 2010, 11:47 AM

http://incontention.com/2010/10/28/tech-support-be...

So important but so hard to notice. That’s how I would describe the work of our best film editors – those cutting artists who blend and juxtapose frames together to make films coherent, establish a flow and also set the mood in a manner that suits the screenwriter’s words and the director’s vision.

The Future of Final Cut Pro

November 26, 2010, 11:31 AM

http://provideocoalition.com/index.php/editingpost...

Yeah, it’s a testy subject for many, so of course Philip Hodgetts and I had to take it up in episode 12 of The Terence & Philip Show. This episode starts with discussion about a potential Adobe and Microsoft merger and its implications. Which leads into a discussion about 64 bit QuickTime. The primary discussion revolves around a discussion on what Philip thinks Apple should be doing with Final Cut Pro.

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