It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 17, 2013, 04:17 AM
http://news.creativecow.net/story/873938
(Los Angeles, California--December 16, 2013) The Visual Effects Society (VES), the industry’s professional honorary society, has released a standardized interchange for camera reports, allowing essential visual effects information to be better captured and transferred through production into the post-production visual effects arena.
December 16, 2013, 05:42 PM
http://feedproxy.google.com/~r/industryhappenings/...
Advanced Study of Adobe After Effects – $995 This two-day advanced class will help you achieve better results from this comprehensive application. Building on concepts from After Effects Level 1 and Level 2 classes, this course covers all about alphas (straight vs. pre-multiplied alphas, working with Photoshop and Illustrator and vector paint) and advanced formatting […]
December 16, 2013, 01:53 PM
http://motionographer.com/2013/12/16/main-road-pos...
Stalingrad is a Russian WWII drama directed by Fedor Bondarchuk. Main Road Post, headquartered in Moscow, is responsible for all the VFX work on this film.
December 16, 2013, 10:49 AM
https://www.videoguys.com/Blog/E/5+new+and+changed...
As often as possible, the After Effects team visits artists at their work site. Talking face-to-face not only gains us direct feedback and criticism about After Effects but also allows us to observe how they work in a way not possible from our offices. One such recent trip to Vancouver, British Columbia resulted in 5 small but significant changes that were made to After Effects CC (12.2), which was released yesterday. These features make After Effects more approachable and take some of the ev
December 16, 2013, 10:48 AM
http://feedproxy.google.com/~r/nvidiablog/~3/lBdZ5...
It’s that time again. Time for a taste of the best that gaming has to offer with our Ultimate Holiday Bundle. Grab a qualifying GeForce GTX graphics card and a SHIELD, and you’ll instantly get $100 off and up to three of this holiday’s biggest PC games. For more details, take a look here. Each… Read More (...)
December 15, 2013, 08:00 AM
https://www.aotg.com/the-making-of-the-hobbit/
Behind VFX ACCESS - The Making of The Hobbit: The Desolation of Smaug Behind VFX ACCESS – The Hobbit: The Desolation of Smaug (01:31:00) Behind VFX ACCESS is a video curation service for movie fans a...
December 15, 2013, 07:59 AM
http://animationguildblog.blogspot.ca/2013/12/was-...
... This year several of the finalists for the visual-effects Oscar nomination are pushing the boundaries of f/x lighting, blurring the lines between “practical” and “digital” effects, and along the way, using that lighting to integrate actors with vfx in ways that could only have been dreamed of before.
December 14, 2013, 02:35 PM
http://lesterbanks.com/2013/12/mocha-planar-tracki...
Showing the benefit in the relationship between planar tracking / roto work in mocha, mocha Pro and After Effects, Imagineer Systems’ energetic Mary Poplin demonstrates creating motion graphics with a suite of tools, creating a dynamic animation with tracked graphics.
December 14, 2013, 09:26 AM
http://lesterbanks.com/2013/12/maya-fumefx-where-t...
It was back in near the end May of 2013 when we first heard word that the popular 3ds Max fluid dynamics simulator, FumeFX was being developed for Maya, and as a precursor to its looming release next week, Allan McKay provides a quick-start to getting oriented in using FumeFX for Maya.
December 13, 2013, 10:45 AM
http://www.btlnews.com/crafts/post-production/arse...
ArsenalFX, a visual effects post production studio specializing in high end commercial finishing, has expanded its team by hiring David Carlson as senior CG generalist, promoting Cortney Haile to head of operations and hiring Casey Conroy as VFX director.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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