It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 3, 2013, 08:09 PM
http://www.broadcastbeat.com/index.php/ryan-salaza...
Ryan Salazar speaks with Vince Pace, James Cameron s business partner, regarding Cameron Pace Group and their business model. This interesting podcast also discusses James Cameron, Cameron Pace Group s technologies and their projects.
December 3, 2013, 08:09 PM
http://lesterbanks.com/2013/12/after-effects-using...
The Scripting language After Effects uses is actually JavaScript. Noting that there are plenty of 3rd party JavaScript Graphics and animation Libraries out there, Calvin Swaim posts a little tutorial (2 minute tut) showing how you can use relevant JavaScript Libraries in After Effects scripting.
December 3, 2013, 10:47 AM
http://www.artofvfx.com/?p=5411
Chris Wells began his career in visual effects since 17 years ago. He has worked on projects such as THE DAY AFTER TOMORROW, 300, 4: RISE OF THE SILVER SURFER or ALIENS VS. PREDATOR: REQUIEM. He then became VFX supervisor and took care of movies like 2012, THE A-TEAM or LOOPER.
December 3, 2013, 10:40 AM
http://sportsvideo.org/main/blog/2013/12/fx-design...
The Sports Video Group is pleased to welcome FX Design Group as a corporate sponsor. Based in Ocee, FL, the company has been providing clients large and small with scenic solutions for 27 years. Whether news or sports clients, FX Design Group’s customers praise its collaborative process, attention to detail, and visionary design.
December 3, 2013, 05:42 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
A hypnotic beat commands the attention of the viewer while mirrored images play as the backdrop to crisp and curiously set type. Peaceful hallucinations of forest and sky give way to vast cities, their coloring hitting that sweet spot between a vintage wash and an elegant polish.With the titles for the 2013 Semi-Permanent creative festival, Danny Yount achieves an impressive feat through a combination of visual symmetry and an emotive track from Planet Love Sound. Using nothing but a prosume...
December 2, 2013, 05:02 PM
http://postperspective.com/2013/12/meet-the-artist...
COMPANY: Splice (www.splice.tv, @splice_here) NAMES: Ben Watne and Chris Averbeck CAN YOU DESCRIBE YOUR COMPANY? Chris: Splice is a Minneapolis-based studio that specializes in VFX, Design, Edit, Sound, and Color…and production. WHAT’S YOUR JOB TITLE? Ben: VFX Lead Chris: Art Director WHAT DOES THAT ENTAIL? Ben: Working out potential effects shots in pre-production, supervising the […]
December 2, 2013, 05:01 PM
http://lesterbanks.com/2013/12/cinema-4d-creating-...
Showing how simple it is to use the Easy Ivy plug-in when modeling, Cappellaio Matto demonstrates how to create a grapevine in Cinema 4D directing where the vines will be generated with a few clicks.
December 2, 2013, 11:00 AM
http://blogs.adobe.com/jnack/2013/12/aevd-after-ef...
“Legs engineered to defy the laws of physics” indeed: [YouTube] [Via Kalvyn Rasquinha]
December 2, 2013, 05:33 AM
https://www.aotg.com/old-school-in-camera-fx/
Here’s a look behind the scenes of an Old Spice commercial that is mostly done in-camera. Nice! The lack of a green or blue screen makes me think that most of the postproduction was roto. And – if you look closely – fish. Related posts: Fusion Macros Video Tutorial Bildfehler update Multiple Camera Projections in […]
December 2, 2013, 05:32 AM
http://motionworks.net/breakdown-blockbuster-summe...
For the latest Foxtel On Demand Summer Campaign I explored split screen looks in After Effects. It can be a tricky look to use and not look retro so was definitely a challenge. One of the most difficult aspects is choosing hero shots which work well together and are long enough! Below I break down some of the key design aspects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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