To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Hollywood Movie Titles Series: Beautiful Creatures

October 30, 2013, 10:35 AM

http://ae.tutsplus.com/tutorials/motion-graphics/a...

In this tutorial, we're going to be looking at the title animation style from the movie Beautiful Creatures. We will make this using Cinema 4D for the creation

Ernest Scared Stupid (1991)

October 30, 2013, 04:38 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Bring me the head of Ernest P. Worrell!” — Trantor the Troll Ah, rubber-faced Ernest P. Worrell. With your denim vest and baseball cap, you regaled a generation of children and their parents from the late ’80s and well into the ’90s. The fourth film to star Jim Varney’s Ernest character, Ernest Scared Stupid (also known as “E...

Creating VFX with Unreal Engine

October 30, 2013, 04:36 AM

http://filmmakeriq.com/2013/10/creating-vfx-with-u...

Get a sense of the capability of the Unreal Engine for creating visual effects in this first part tutorial from Zak Parnish and Tim Elek.

Seasoned VFX Professionals Form axisVFX

October 30, 2013, 04:36 AM

http://www.cgw.com/Press-Center/News/2013/Seasoned...

Seasoned VFX Professionals Form axisVFX - This story highlights the beginning of a new business venture forged by Richard Scott of Axis Animation, Grant Hewlett (formerly of Flint), Stuart Aitken, Howard Jones and Melanie Byrne that will focus on high-end visual effects with axisVFX...

Academy Adds Five New Members

October 29, 2013, 07:06 PM

http://variety.com/2013/film/news/academys-science...

Wendy Aylsworth, Rob Bredow and Douglas Greenfield are among the newest members.

A look back at Apple's 2013 acquisitions

October 29, 2013, 07:05 PM

http://www.tuaw.com/2013/10/29/a-look-back-at-appl...

During Apple's earnings conference call yesterday, Tim Cook noted that Apple during the fiscal 2013 year acquired a total of 15 companies.Historically,

Nuke in Production Series: Keying and Mattes

October 29, 2013, 09:54 AM

http://ae.tutsplus.com/tutorials/workflow/nuke-in-...

In this part, we'll take a look at the tools available in Nuke for pulling a key. We'll step through various tools and explore many of the strengths and

Selective Glow FX Tutorial in AE

October 29, 2013, 04:32 AM

http://filmmakeriq.com/2013/10/selective-glow-fx-t...

Have you ever needed to add a glow to a specific color? Like an explosion, or signal light without affecting the rest of the image. In this short tutorial Andrew Kramer of VideoCopilot shows technique that will allow you add a glow to a specific color only and avoid the color mixing that occurs when using traditional luminance based glows.

Mastering Paint FX

October 28, 2013, 03:32 PM

http://lesterbanks.com/2013/10/maya-mastering-pain...

Jesús Fernández shares his process for creating his stunning “the Forgotten Forest” with a detailed written tutorial looking at how Maya PaintFX was used to create the grasses, trees and foliage in the image.

What's holding back VFX work in the cloud?

October 28, 2013, 10:12 AM

http://www.creativebloq.com/3d/online-rendering-10...

Online rendering and collaboration is already a part of CAD pipelines. But will 2013 be the year the cloud finally breaks the mould?

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