It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 15, 2013, 12:34 PM
http://library.creativecow.net/kaufman_debra/Gravi...
Gravity, the highly-acclaimed, intensely emotional space thriller, has been hailed as some of the - if not the VERY - best 3D footage ever seen on the big screen. This has led to some surprise when learning that Gravity was NOT shot in 3d. However, it wasn't entirely converted in post either. It featured an innovative and unique workflow that incorporated 3D conversion during production as well as a complex integration with 3D VFX. In a conversation with Prime Focus World, we find out how they d...
October 15, 2013, 12:34 PM
http://lesterbanks.com/2013/10/creating-smoke-trai...
Project4D’s Faisal walks through creating smoke and trails in Cinema 4D with the help of TurbulenceFD’s Voxel based fluids system, and the freely available Umami Parametric Spline Generator.
October 15, 2013, 04:34 AM
http://events.creativecow.net/event/3285/industry-...
INDUSTRY GIANTS 2013: Visual Effects, Animation and Game Forum - conference-seminar Addison Texas United States
October 14, 2013, 12:54 PM
http://lesterbanks.com/2013/10/affect-any-clone-in...
Kevin Burke shares a technique for having an Effector in Cinema 4D to Affect parameters other than position, scale, rotation and color within a Cloner Object, and in this case, uses a Plane Effector and a Cloner to achieve this.
October 14, 2013, 10:02 AM
http://blogs.adobe.com/adobeillustrator/2013/10/to...
Welcome to this month’s catch up showcasing our favorite Adobe Illustrator tutorials available on Tuts+. We publish tutorials on techniques and effects to make awesome vector graphics in Illustrator. My name is Sharon Milne, the Editor of vector content on Tuts+ and it is my pleasure to share with the Illustrator community five of our most interesting and popular tutorials published during September 2013. Create a Punk Queen of Hearts, With a Sleeve Tattoo in Illustrator In this tutoria...
October 14, 2013, 04:28 AM
http://www.surfacedstudio.com/blog/vfx-vlog-4-how-...
How to get started creating your own VFX? I show you the best free online resources to get you started and explain how to create masks in After Effects.
October 13, 2013, 06:27 PM
http://feedproxy.google.com/~r/industryhappenings/...
This two-day intermediate class will take you beyond the basics by focusing on industry standard best-practices for creating motion graphics. Building on concepts learned in the level one class, course topics include blending modes, masks and track mattes, working in 3D Space, cameras, lighting in 3D, parenting, nesting and advanced text animation Prerequisite: After Effects Level I or […]
October 13, 2013, 06:27 PM
Download the project file here: ttp://www.mediafire.com/download/cl0f8vecac3f2pd/Radio_Waves_Glow_Streaks.zip This is an example of Glow Streaks created using the Radio Waves filter available in After Effects. The project and a render is included for you to try out.Cast: Kes AkalaonuTags: after effects, glow streaks, particles, radio waves, trapcode, project file and tutorial
October 13, 2013, 06:25 PM
http://www.schubincafe.com/2013/10/13/can-gravity-...
For once, critics and ticketbuyers are in sync: Gravity is the rare movie that’s really worth splurging extra to see in 3D, on a giant screen.
October 12, 2013, 03:19 PM
http://blogs.adobe.com/jnack/2013/10/behind-the-sc...
Andrew Kramer & company used After Effects, Premiere Pro, and more to create titles & HUDs for the most recent Star Trek installment. Check out their detailed notes, as well as the video below. And yes, they talk about how they made the lens flares. [YouTube]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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