It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 16, 2021, 09:09 AM
https://icolorist.com/2021-icolorist-industry-surv...
Our annual iColorist survey takes a snapshot of what cameras, software & projects people are working on, plus fees and conditions. Here are the results of this year’s...
December 14, 2021, 08:48 AM
https://www.redsharknews.com/why-do-we-still-like-...
Are we beyond the film look? Simon Wyndham used to think so, but now he isn't so sure.
December 9, 2021, 09:01 AM
https://www.redsharknews.com/why-are-my-colours-wr...
Never Twice The Same Colour used to be the nickname for NTSC. But now we could say the same of our entire production chain. What is going on?
December 7, 2021, 08:52 AM
https://postperspective.com/colorist-chat-stephen-...
Many reviews of director Lin-Manuel Miranda’s Tick, Tick…Boom!, now streaming on Netflix, have commented on the look of the lead character Jon’s dingy, old apartment and how it really exudes the feel of late ’80s/early ’90s New York and the Bohemian (read poor) existence of the playwright in his struggling artist period. Continue reading → December 6, 2021 The post Colorist Chat: Stephen Nakamura on Look of Tick Tick… Boom! appeared first on postPerspective.
December 3, 2021, 09:04 AM
https://postperspective.com/fotokems-dave-cole-on-...
There is no denying the beauty of Denis Villeneuve’s Dune, especially if you’ve seen it in IMAX or on any big screen. To help achieve this look, FotoKem’s Dave Cole worked closely with the film’s cinematographer, Greig Fraser, ASC, ACS, who had created a color bible to follow (see our interview with him here). Continue reading → December 2, 2021 The post Colorist Chat: FotoKem’s Dave Cole on Working With Dune DP appeared first on postPerspective.
December 2, 2021, 08:47 AM
https://postperspective.com/light-iron-up-leadersh...
November 24, 2021, 08:32 AM
https://www.cined.com/create-your-own-luts-in-just...
Filming in a flat picture profile can be a blessing as it opens up endless possibilities for creative grading yet at the same time can look really bad if done wrong. Each and every one of us has our own way of grading. Some will rely on free or paid downloaded LUTs, others will use third-party plug-ins to their NLE or grade from within their editing platform. All ways are legit, but I wanted to share with you what I’m currently using to successfully create my own LUTs in just a few clicks with...
November 23, 2021, 08:36 AM
https://www.provideocoalition.com/henri-a-modern-d...
Available with different colors to choose from for the Leitz lettering on the backcap, the Leitz HENRI directors viewfinder brings the image to you quickly in an innovative and intuitive way. Announced almost one year ago, on December 2020, the Leitz HENRI directors viewfinder is finally available, and you can order it from any of [...]Read More...
November 19, 2021, 08:45 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — The winners of the first FilmLight Colour Awards (www.filmlight.ltd.uk) were announced last Sunday, November 14th, during EnergaCamerimage. The ceremony included a panel discussion with several of the winners in attendance, along with others joining online.
November 19, 2021, 08:45 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Senior colorist Roman Hankewycz of Harbor graded A24’s new feature film The Humans using DaVinci Resolve Studio and a DaVinci Resolve Advanced Panel. Hitting theaters and Showtime on November 24th, the film follows patriarch Erik Blake and his family as they gather to celebrate Thanksgiving at his daughter’s apartment in lower Manhattan.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.