It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 30, 2020, 01:59 PM
https://www.indiewire.com/2020/01/ves-awards-2020-...
Disney’s “The Lion King” was the big VFX winner Wednesday at the 18th annual VES Awards at the Beverly Hilton, grabbing three prizes (photoreal feature, virtual cinematography, and The Pridelands environment). Meanwhile. Martin Scorsese’s “The Irishman” (boasting Industrial Light & Magic’s innovative de-aging of Robert De Niro, Al Pacino, and Joe Pesci) won for supporting VFX and feature compositing.
January 29, 2020, 02:19 PM
https://beforesandafters.com/2020/01/29/runs-in-th...
Kelly and Kade Eckstein are brothers. They both attended, at different times, CG Masters School of 3D Animation & VFX in Vancouver, which involved a three-term – one full year – enrolment. And they both scored jobs in the visual effects industry after graduating.
January 29, 2020, 02:19 PM
https://www.artofvfx.com/for-all-mankind-vfx-break...
Goodbye Kansas Studios presents their seamless work on the first season of the Apple TV+ series, FOR ALL MANKIND...
January 28, 2020, 05:32 PM
https://beforesandafters.com/2020/01/29/first-look...
Here’s an exclusive first look at Halon Entertainment’s previs reel for Ford v Ferrari. You’ll notice very quickly it has a stylized feel to it, and that was intentional, so that it matched the storyboards for the film and could be intercut with them during early editing.
January 27, 2020, 08:32 PM
https://www.artofvfx.com/watchmen-main-titles-by-e...
Don’t miss this compilation of titles for the HBO series, WATCHMEN, created by Elastic...
January 27, 2020, 08:32 PM
https://www.motionpictures.org/2020/01/how-1917s-o...
World War I epic 1917 conveys the carnage of combat with uncommon grit. Informed by writer-director Sam Mendes‘ heartfelt story and his gifted design team, the film, nominated for 10 Academy Awards including best picture, immerses viewers in a “No Man’s Land” littered with dead animals, rotting corpses and dying soldiers. Prosthetics designer Tristan Versluis, Oscar-nominated with makeup designer Naomi Domme, did most of the heavy lifting when it came to blood, guts, and gore.
January 27, 2020, 02:30 PM
https://3dtotal.com/news/general/angel-has-fallen-...
Check out WorldWide FX's work for Angel has Fallen.
January 23, 2020, 07:49 PM
https://beforesandafters.com/2020/01/24/sheena-dug...
At the VES Awards in Los Angeles in late January, one of those to be honored at the event will be visual effects supervisor Sheena Duggal.
January 23, 2020, 07:49 PM
https://www.artofvfx.com/terminator-dark-fate-jeff...
David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN.
January 23, 2020, 07:48 PM
https://beforesandafters.com/2020/01/24/automated-...
This SideFX interview with Animal Logic’s Adam Katz details how the studio built and automated their Character FX pipeline for Peter Rabbit, including where Houdini Digital Assets came into play.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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