To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Color Management Part 3: It’s all in the brain
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https://www.provideocoalition.com/color-management...
In order to manage colors in film and television production, we need a way to measure them. Unfortunately, measuring color isn’t as simple as you might think. In Part 2, we looked at Isaac Newton’s groundbreaking work on the study of light, but we also noted that his colleagues strongly disagreed with his suggestion that [...]Read More... from Color Management Part 3: It’s all in the brain
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https://www.youtube.com/watch?v=l98qaD_Rv0w
Pamela Martin King Richard editor Oscar nominee
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https://www.goldderby.com/feature/pamela-martin-ki...
“Little Miss Sunshine” and “Slums of Beverly Hills” editor Pamela Martin was almost two decades into her career when she first worked on a sports movie. But following her success on 2010’s “The Fighter,” which earned Martin her first Oscar nomination in the Best Editing category, Martin has thrived when cutting films about competition. She reteamed with “Little Miss Sunshine” filmmakers Jonathan Dayton and Valerie Faris for “The Battle of the Sexes,” and got back on the pro...
Sundance Award Winning Film Leonor Will Never Die Graded with DaVinci Resolve Studio
March 1, 2022, 12:43 PM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced that the Sundance Film Festival award winning film “Leonor Will Never Die” was graded using DaVinci Resolve Studio editing, grading, visual effects (VFX) and audio post software. One of two Filipino films to win 2022 Sundance awards, the film is the directing debut of Martika Ramirez Escobar, with grading done by Timmy Torres of Manila’s Quantum Post.
#blackmagic design#davinci resolve studioColourlab Ai 2.0 Adds Premiere, FCP Integration, New UI
March 1, 2022, 08:39 AM
https://postperspective.com/colourlab-ai-2-0-adds-...
Color Intelligence has released the public beta version of Colourlab Ai 2.0 featuring new features and an entirely new user interface created with the goal of making the color grading process faster, easier and more accessible. In addition to the existing integration with DaVinci Resolve, Colourlab Ai v2.0 features support for both Adobe Premiere and Apple Final Cut Pro. Continue reading → February 28, 2022 The post Colourlab Ai 2.0 Adds Premiere, FCP Integration, New UI appeared first on post...
Virtual Production: How It Will Affect You
March 1, 2022, 08:39 AM
https://www.premiumbeat.com/blog/virtual-productio...
The pandemic has supercharged virtual production. But, is this new technology for everyone or just Hollywood-budgeted movies?
The Fundamentals of a PBR Workflow in Maya
March 1, 2022, 08:38 AM
https://lesterbanks.com/2022/02/the-fundamentals-o...
On Mars 3D covers the fundamentals of an Arnold PBR workflow in Maya. This new tutorial from 3D Art Lead Aunmar Mohammed (On Mars 3D) covers the basics for working with PBR in Maya using
Sophia de Baun: More Than Editing for Sundance Pilot Chiqui
March 1, 2022, 08:38 AM
https://postperspective.com/sophia-de-baun-more-th...
As part of the Indie Episodic Program at this year’s Sundance, the pilot Chiqui was screened. It’s a story that follows director Carlos Cardona’s parents as they traveled from Colombia to the US in 1989 to find a better life for themselves and their unborn son. It’s a dramedy set in the Newark, Continue reading → February 28, 2022 The post Sophia de Baun: More Than Editing for Sundance Pilot Chiqui appeared first on postPerspective.
After Effects Roundup February 2022
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https://www.provideocoalition.com/after-effects-ro...
As we wait for the After Effects Next and Mac M1 support to get out of beta, presumably for NAB in April, the band plays on. Victoria Nece announced a new well-well-recieved feature in After Effects Beta. Create comp-centered squares and circles with double-click + Shift is “a handy new feature … you can now shift-double-click the [...]Read More... from After Effects Roundup February 2022
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