It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 18, 2019, 06:50 PM
https://www.provideocoalition.com/after-effects-cl...
A couple of weeks ago, we started talking about creating vignettes to subtly focus the viewer’s attention where you want in a video frame. This post covers “chapter 2” of that course, which discussed extended techniques such as using color, and applying the treatment to multiple layers at once.
November 18, 2019, 02:16 PM
https://www.artofvfx.com/anthem-conviction-vfx-bre...
UPP presents their work on this really cool short film for ANTHEM...
November 18, 2019, 02:16 PM
https://beforesandafters.com/2019/11/18/qa-the-har...
As co-founder of Blur Studio, Deadpool and Terminator: Dark Fate director Tim Miller has an extensive visual effects and CG background.
November 16, 2019, 02:13 PM
http://www.postmagazine.com/Post-Blog/2019/Novembe...
NEW YORK CITY - Foundry (foundry.com) and AccessVFX (accessvfx.org) teamed up with the School of Visual Arts (SVA) to present a networking event designed to provide students with advice on how to break into the visual effects industry. The two-hour event took place at SVA in NYC and featured a number of speakers, as well as a classroom full of students pursuing careers in VFX. Foundry's Sarah Leavitt kicked off the event. She serves as head of education and creative services at Fo...
November 14, 2019, 09:06 PM
https://www.artofvfx.com/zombieland-double-tap-mo-...
Mo Sobhy started his VFX career in 2003 at Framestore. He then worked at MPC and Cinesite before joining Rodeo FX in 2019. He worked on many films such as X: FIRST CLASS, GODZILLA, BATMAN V SUPERMAN: DAWN OF JUSTICE and STRANGER THINGS.
November 14, 2019, 02:29 PM
https://beforesandafters.com/2019/11/14/heres-what...
Ever since glimpses and tests began emerging from director Sergio Pablos’ Klaus, people have been wondering how the look of the film was being achieved. Was it 2D? Was it 3D? A combination of the two?
November 7, 2019, 12:16 AM
https://www.artofvfx.com/gemini-man-bill-westenhof...
In 2010, Bill Westenhofer explained the work of Rhythm & Hues on THE A-TEAM. He then worked on many films such as LIFE OF PI, WARCRAFT and WONDER WOMAN. He is the winner of two Oscars for Best VFX for THE GOLDEN COMPASS and LIFE of PI. Bill is back today to talk about GEMINI MAN...
November 5, 2019, 02:12 PM
https://www.allanmckay.com/219/
Welcome to Episode 219! I’m speaking with the Head of ILM, as well as a VFX Sup and Executive Co-Producer on Solo: A Star Wars Story Rob Bredow. Rob also has many, many amazing credentials to his name. We also talk about the opening of ILM in Sydney, Australia.
November 5, 2019, 02:08 PM
https://lesterbanks.com/2019/11/how-to-create-a-so...
Roman Pillai shows how to use Houdini Vellum to create a soft body fracture simulation. Rigid body fractures seem more natural to work within 3D. That is unless you work with Side FX Houdini. The
November 5, 2019, 02:07 PM
https://beforesandafters.com/2019/11/05/you-probab...
This is Rodeo FX’s VFX breakdown reel for Alexandre Aja’s Crawl, released earlier in 2019.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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