It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 24, 2022, 08:30 AM
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Lee Grigs shows how you can quickly create clouds using Arnold’s Volume Shader and Maya’s Cloud texture. Arnold Rendering Specialist Lee Griggs shows a fast and easy way to create clouds with Arnold in Maya. Griggs shows
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https://lesterbanks.com/2022/02/how-to-animate-any...
Stormz looks into animating Redshift attributes in Houdini quickly. This new tutorial from Stormz shows how to animate any Redshift attribute in Side FX Houdini. Animating material attributes is easy, but with Redshift in Houdini, the process isn’t
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https://lesterbanks.com/2022/02/how-to-animate-a-s...
Bad Normals shows how to make a shockwave effect in Blender using Geo Nodes. This new tutorial from Bad Normals shows how you can essentially transform the default cube in Blender into a shockwave effect by using
February 24, 2022, 08:29 AM
https://www.artofvfx.com/swan-song-design-and-vfx-...
If you like stylish motion graphics and seamless VFX work, be sure to watch this reel by Territory Studio featuring their work on the Apple TV+ movie, Swan Song...
February 24, 2022, 08:29 AM
https://deadline.com/2022/02/visual-effects-societ...
Lynwen Brennan, Executive Vice President and General Manager of Lucasfilm, will be the recipient of this year’s Lifetime Achievement Award from the Visual Effects Society (VES) in recognition of her contributions to visual arts and filmed entertainment.
February 24, 2022, 08:28 AM
https://www.artofvfx.com/kitz-vfx-breakdown-by-sca...
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February 24, 2022, 08:28 AM
https://www.awn.com/news/lucasfilms-lynwen-brennan...
The Visual Effects Society to honor her integral role in the creation of ILMxLAB, as well as her exemplary support of the education and development of women artists and engineers.
February 23, 2022, 10:23 AM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced that the animated web series “The Portal,” created for Bleacher Report by animation studio InfiniteWorld, was made using DaVinci Resolve Studio editing, grading, visual effects (VFX) and audio post production software and Fusion Studio VFX and motion graphics software.
#blackmagic design#fusion studio#davinci resolve studioFebruary 22, 2022, 10:39 AM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced that the Sky Deutschland crime thriller series, “Pagan Peak” (“Der Pass”), has deployed DaVinci Resolve Studio editing, grading, visual effects (VFX) and audio post software for dailies and final color grade across both of its two seasons.
#blackmagic design#davinci resolve studioDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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