To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Shooting in the desert, using infra-red, and makin

September 30, 2019, 05:37 PM

https://beforesandafters.com/2019/09/30/shooting-i...

There’s an incredible sequence in Ad Astra when Brad Pitt’s character, Major Roy McBride, joins others on the moon en route to Mars. On board a procession of lunar rovers, the group is ambushed by space pirates, with devastating consequences.

Frank advice from Neil Huxley

September 26, 2019, 01:11 PM

https://beforesandafters.com/2019/09/26/what-ive-l...

At Trojan Horse Was a Unicorn in Malta, attendees were just gifted an in-depth presentation from director Neil Huxley. Weaving in stories from his visual effects, art direction and live action directing career, Huxley managed to do something that doesn’t always happen in these kinds of conference presentations: be frank.

PRODIGAL SON: VFX Breakdown

September 25, 2019, 01:38 PM

https://www.artofvfx.com/prodigal-son-vfx-breakdow...

FuseFX have released the VFX Breakdown about their work on PRODIGAL SON...

Rob Legato Uses Blackmagic Design on The Lion King

September 24, 2019, 02:39 PM

https://www.aotg.com/rob-legato-uses-blackmagic-design-on-the-lion-king/

Blackmagic Design announced today that visual effects supervisor Rob Legato used a wide variety of Blackmagic Design products to create the virtual production environment for Disney’s “The Lion King.” The film, which was directed by Jon Favreau and features the voices of Donald Glover and Beyoncé Knowles-Carter, has earned nearly $1.5 billion worldwide since its July 19, 2019 opening.

#blackmagic design#teranex#davinci resolve studio#davinci resolve advanced panel#micro studio camera 4k#atem production studio 4k#smart videohub
How to Create Text Effects and Animations in Premi

September 21, 2019, 03:58 PM

https://www.premiumbeat.com/blog/text-effect-premi...

When you're getting into text effects and animations, workspace is important. Master your motion graphics workflow in Adobe Premiere Pro with these tips.

The secrets behind the life (and death) of Titanic

September 18, 2019, 01:12 PM

https://beforesandafters.com/2019/09/18/the-secret...

That line from James Cameron’s script for Titanic, coming deep into scenes of the chaotic sinking of the famous cruiseliner, might sound simple enough. But it would turn out to be the basis of one of the blockbuster film’s most memorable shots.

LEGO - Rebuild the World: Making of

September 18, 2019, 01:12 PM

https://www.artofvfx.com/lego-rebuild-the-world-ma...

Mikros MPC Advertising presents their work on this cute commercial for LEGO...

His back went like *this*: the crazy stunt behind

September 13, 2019, 06:24 PM

https://beforesandafters.com/2019/09/14/his-back-w...

At one point in Chad Stahelski’s John Wick: Chapter 3 – Parabellum, Keanu Reeves’ titular character is shot on the roof of the Continental, and falls into an alleyway, but not before he slams into walls, fire escapes and other structures on the way down.

'Computer pajamas': the history of ILM's IMocap

September 10, 2019, 12:55 PM

https://beforesandafters.com/2019/09/10/computer-p...

When most people think about the motion capture of actors, they are probably thinking about either optical capture (where cameras pick up markers on a suit) or inertial capture systems (which make use of magnets, accelerometers and gyroscopes inside a suit).

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